Tarzan Not Talk Like Frankenstein

 Tarzan not stupid.  Tarzan learn English and French from book before Tarzan meet Jane.  Movie Tarzan very different from book Tarzan.

Seriously, I don't know how Johnny Weismuller became so popular.  Besides the jungle setting, Weismuller's Tarzan is nothing like the character in the books.  Come to think of it, the creature in Shelly's Frankenstein didn't talk like that either.  Maybe audiences in the 30s had a thing for mute strongmen.  

Tarzan of the novels was very articulate and possessed almost super-human intelligence.  He learned to read and write from the books in his father's treehouse, without any other human interactions.   When Tarzan visits America in the first novel, he behaves like an exemplary English gentleman, a far cry from Weismuller's nearly wordless interpretation.

Besides the fake ears they made for the Indian Elephants to make them look African, the best thing about Weismuller's first Tarzan film is Maureen O'Sullivan in her 1932 costume.  (Much more leather was added to her buckskin bikini by the next film.)  Subsequent films ended up almost a parody of the character from the first film.

Weissmuller's Tarzan introduced the trope of the chimpanzee sidekick, which actually isn't in the novels.  Although several chimpanzees have been reported as the original Cheetah through the years, they likely used several throughout the different films, as chimps get pretty dangerous to work with as they mature. The Cheetah you see on screen never seems to grow, even though sometimes a few years pass between productions.  Chimps are notorious poop-throwers and biters.  Many trained chimps had their canine teeth removed to make them slightly less dangerous.  Training methods often involved dramatic beatings and occasional drugs.  They solved this problem for 1984's Greystoke: The Legend of Tarzan, by having Rick Baker create all the apes using human actors.  Even today, Baker remains Hollywood's greatest gorilla man.

 Tall, attractive, and an Olympic athlete, Weismuller looked the part, but any resemblance to the Tarzan in the books ends there.  Much has been made of the lengths MGM sound designers went through to develop Weismuller's famous Tarzan yell, but Weismuller insisted it was his own voice, and in later life, he was able to perform it live.  It can't be too much of a stretch to believe it was his own voice; after all, even Carol Burnett could imitate it. 

I'm not sure what I would have thought of Tarzan if Weismuller was my first exposure.  Willis O'Brien's Skull Island certainly made an impression on me, so maybe the MGM jungle would have been as memorable.  My first Tarzan, however, was Ron Ely.

Ely's Tarzan was in color.  He was articulate and educated like the Tarzan of the novels.  He's why I picked up my brother's copy of Tarzan and the Leopard Men (1932) and never looked back.  

Ely's Tarzan was set in the modern-day (the 1960s) and sometimes featured very modern concepts.  One episode even had computers.  There was no Jane for his Tarzan, (but I was six, so who cares?) He did have a son character, who was written as an orphaned Mexican boy.  They never explained how a Mexican orphan ended up in Africa.  Manuel Padilla Jr. played several television roles before Jai on Tarzan.  He could deliver his lines, and child actors you could work with were pretty hard to find, so he got the job I guess.

There were 57 episodes of Ron Ely's Tarzan.  He performed most of his own stunts, and he had the scars to prove it, including more than one lion bite.  After the initial run, they played in a re-run every Saturday afternoon until I was twelve or thirteen.  By the time I did see a Weismuller Tarzan, I was already under the spell of King Kong and obsessed with 1930s adventure cinema, so I soon saw all of them.  (Thank you, Ted Turner) 

After Tarzan, Ely was never out of work very long.  The next time he caught my eye was George Pal's, Doc Savage.  I loved the Doc Savage novels and had about ten of them.  Pal intended to do a straight version of Savage like in the books, but the finished product was pretty campy and did poorly with audiences.

Pal originally wanted Steve Reeves to play Doc Savage, but he was too old and unavailable.  Ron Ely was only too happy to get the role. Initially, Pal and Ely hoped to make several Doc Savage films and end Pal's storied career on a high note.  Fate had different plans, though. Doc Savage was released in 1975 and bombed.  It never played a first-run theater in Jackson, so I had to get someone to take me to the drive-in to see it.  

Ely never stopped, though.  He even ended up taking over the job of hosting the Miss America Pagent in 1980 when Bert Parks retired.  

There would be many more Tarzans after Ron Ely, but he was my first, and when I read the novels now, it's his voice I hear.