Wednesday, September 4, 2024

House Approves Power To Close Public Schools

 "House Approves Power To Close Public Schools", By Charles M. Hills, Clarion Ledger, Jackson, MS, Wed, Apr 9, 1958, Page 1

Four acts, primarily designed to maintain segregation in the schools of this state, including one which allows boards of trustees to close classrooms, were unanimously approved by the lower house of the legislature here Tuesday. Voting laws are included. 

The House of Representatives also approved almost unanimously, by a vote of 100 to 5, two bills which tighten the welfare laws of this state to exclude assistance to "unsuited" families bearing illegitimate children and putting pressure on persons deserting their children. 

Rep. Joe Hopkins, Coahoma, chairman of the House Judiciary Committee, steered the school closure bill and three other companion measures to passage in the House. 

Under terms of House Bill 934. approved 107-0, authorization is given the board of trustees of any school district, as supplemental to other authority vested in it, to close any one or more or all schools of the district, when, in its discretion, such would be to the best interest of the students and the community. 

The closure would be in order to preserve the public peace, order or tranquility of any school or the district. Provided also are causes for appeals.

ALLOW ASSISTANCE 

Another act. House Bill 937. authorizes the attorney general upon request and in his discretion, to render such services as he may deem necessary to assist in advising or representing any officer or employee of any school district, any agricultural high school and junior college district or institution of higher learning, and, any state official, should they be sued or prosecuted or proceeded against in any manner, in any state or federal court. 

This would be in case the ultimate purpose of the suits challenges or seeks to invalidate any statute or provision of the constitution of the state of Mississippi, dealing with the establishment, maintenance, operation, control, financing or determining who shall attend such schools. 

Still another measure, HB.9.1R, unanimously approved 110-0, authorizes the attorney general to render similar services to any circuit clerk, registrar, or any officers of a county or municipality prosecuted by the federal government in race cases. 

House Bill 935, the fourth anti-integration measure approved 114- 0, provides that the attorney general may investigate any organization seeking a charter in this state and determine whether such should be approved. 

FOUR BILLS SET 

The house set for special order at 2:30 p. m., Wednesday, four bills on the non-controversial calender, which would regulate foreign corporations doing business in this state; provide for incorporation of non-profit, non-share organizations; allow the attorney general to examine all records of corporations and require that foreign corporations appoint a resident agent ki the state. 

The House tabled a motion to reconsider the Mississippi Securities Act and also an act clarifying certain provisions of the employment security law.

It also refused to reconsider a bill passed last week, which allow trainmen and bus drivers to vote on absentee ballot. Rep. Barron Drewry, Alcorn, sought to get reconsideration to amend the act but failed. Rep. George (Doc) Carruth.

Pike, author of the act, saw the measure sent to the Senate for further action. Several other non-controversial measures were approved at the morning session of the House..

St. Andrews School May Get New Site

 Clarion-Ledger, Jackson, Mississippi, Fri, Feb 11, 1949, Page 2

St. Andrews School May Get New Site 

A decision on the St. Andrews parochial school bid to purchase a tract of state land for the erection of a new school was reached late Thursday night when Mr. Sherwood Wise, a member of the board of trustees, said that a bid of $125 per front foot was "entirely out of reach" in regard to 'the purchase of the tract of land which adjoins the Jewish Synagouge on the north side of Woodrow Wilson Drive. The five-acre tract is 350 feet wide and 520 feet deep.

Plans now by the school leaders call for the construction of a series of new buildings to provide the needed space for the school. First project planned is a main building of seven classrooms. Another building, to serve as combination cafeteria, gymnasium, auditorium, would be built later. Estimated cost of the long range program would be $80,000. Mr. Wise said Thursdzy that the school enrollment has grown so rapidly that existing school facilities in the St. Andrews parish house have proved inadequate. The school was started in 1947 with four grades and 45 students. This session, another grade has been added and the enrollment has jumped to 106 students. The faculty now includes Mrs.

Franks, principal; five-grade teachers; music teachers; and a Christian education director. School leaders hope to eventually expand to a full 12-year school by gradually adding one grade each year. However, the plans depend upon the acquisition of a new site and the construction of new buildings. The board of trustees includes Dr. Vincent Franks, rector of St. Andrews, chairman ex-officio, Charles H. Russell, Dr. Eva Linn Meloan, Mrs. Fred Hodge, Mrs. J.W. Barksdale Jr., Lester W. Dawley, Dr. Charles Bowman, Mrs. Rees R. Oliver, and Mr. Wise..

Kirby Walker Retires

Clarion-Ledger - Jackson, Mississippi - Thu, May 1, 1969


KIRBY WALKER CONCLUDING LONG CAREER
By BILLY SKELTON Clarion-Ledger Staff Writer 

"This is Kirby Walker. May I help you?" The voice was businesslike but friendly as the genial superintendent of the Jackson City Schools answered the telephone in his offce at the school headquarters at 662 S President Street.  He listened for a moment and said, "Well, I'll try. What's on your heart, old fellow." 

Kirby Pipkin Walker talks to many, many people, but he also listens a lot. Superintendent of Mississippi-pi's largest school system which is about three times larger in enrollment than the next largest system for 33 years, Walker will retire July 1.

What are his plans? "None. None. Absolutely none," he answers. "Nobody's come rushing to me offering me a job, and it won't take me long to catch up on fishing, hunting, checkers, and chess." The response invites skepticism. But the superintendent who has planned so well for his school district insists he has no plans for his retirement except to stay in Jackson "where I know my friends and my credit's established." School He reckons he'll have to find to something, though.

"My wife can't stand three times as much husband and one-third as much income." 

NO BOOK 

One thing he will not do is to write a book. He has no great observations to pass on, he argues.

However, from 1954 to 1964, Supt. Walker did keep a log on school desegregation. He won't discuss it, however, except to say he'll turn it over to the school board for whatever use it may be to them. School board records fascinate Walker. He said the Jackson school district has its minutes ever since it became operative in 1888 as now constituted and adds that "I've read every blessed entry." 

Although" Walker deals .with, school work on an executive level, he asserts that what happens "in the classroom between teacher and pupil" is what is important. 

"As long as you can keep that relationship good, then you'll have a good educational system," he said.

OPEN DOOR 

The door to Walker's office is always open, and likely as not he'll answer the telephone if 'someone calls his office. A recent interview was interrupted by the arrival of a woman who poured out her troubles to the administrator in an adjoining office. Walker listened, counseled, and once came back to his desk for some Kleenex for the tearful patron. The superintendent's resourcefulness is illustrated by one technique that has pulled him through more than one tough session in his office.

When confronted by a group that wants him to do something which he in good conscience cannot do, he listns respectfully, then reaches into his desk, removes a rod of reinforcing steel, slips it down his back and says, "no." 

"Sometimes it works," he 'says. 

DIRECT APPROACH 

Dr. Walker says he tries to meet things head on and to be as objective as it is humanly possible to be. "I've found people generally willing to listen to fact and logic. I think folks have to be heard. You may not be able to resolve their concerns, but you lhave to share them," he comments. 

One might wonder how the superintendent of a school system with 41,000 students escapes from the pressures of the job. Well, says Dr. Walker, if you're tired, you don't have much trouble relaxing.

He does get away for a fishing or hunting trip now and then but he's the type of man who can get a lot of "mileage" out of a few outings. He also plays an occasional game of Bridge "for my amusement and my partner's amazement." 

If Walker sincerely has no plans for the future, "he has a big job of planning ahead for the has many hours to fill. ''During his school years, he has started work about 7 a.m, then met evening commitments on school business for two of three nights a week. The other nights he has spent reading and writing reports to the board, school memoranda or talks he was to give before various groups. 

"COUNTRY BOY" 

Dr. Walker he received an honorary doctorate in education from Southwestern University in Memphis in 1953 like to call himself a country boy, although he was graduated from Hattiesburg High School in 1918. 

Born in Dunn, N. C. 68 years ago this coming June , he began school at Magee in 1906 and moved to Hattiesburg the next year. 

"I've been in school the last 63 years," he observes. His father's people were from , Miles Creek in Simpson County) and his mother's people, the Pipkins ("mean little earthen pot," he explains) were North Carolinians.

He was graduated from Southwestern in 1922 and was married in 1925. Dr. and Mrs. Walker have a son, Dr. Kirby Walker Jr., a Jackson dentist, and two grandsons. 

The schoolman began his career as a teacher at Forrest County Agricultural High School of . Brooklyn, and three years later was named superintendent, a post he held for seven years. 

IN CITY 36 YEARS 

He served as supervisor of agricultural high schools and junior colleges for the Mississippi State Department of Education for two years, and took a year out to obtain his master's degree at the University of Chicago.

He joined the Jackson Schools in 1953 as assistant to the superintendent, a year later was named acting superintendent and another year later superintendent. 

A man who looks somewhat taller than his 6 feet, one and a half inches and considerably younger than he is, the neatly dressed Dr. Walker is characterized by not only an efficient manner but by efficiency in his work. 

A principal who has worked with him commented on the superintendent's "comprehensive knowledge and attention to detail." "No one can come anywhere near as close," he said. "It's a mystery to me how he does it all." 

PUPILS FIRST 

But the thing that impresses the principal most is Dr. Walker's insistence that the interest of the pupils in the schools always come first. Mrs. Howard Nichols, a member of the school board, sees Dr. Walker as an administrator, teacher, businessman, philosopher, and humorist. She thinks he is "very warm and enthusiastic personality" has contributed greatly to his skill in the art of human relations.

Board members feel, she said, that Dr. Walker "has given us his all." 

"It's been such a pleasure to work with him. His keen sense of humor has helped so many of us at so many times. It has been a privilege to see him work," she said. One associate declared he was "one of this age's exceptional men." 

47-YEAR CAREER 

Now in his fifth decade of teaching, Walker has shepherded schools through the Depression. World War II shortages, building programs and integration crises. 

As he steps down, Dr. Walker sees the 70s as no period for the faint hearted in school administration. The superintendent of the future must be an innovator, an expert in planning and budgeting, a mediator, a negotiator and a skilled "political economist" a respectable euphimism for a lobbyist," he says. Looking back, he reports that "every year has been exciting, filled with an abundance of activity." 

The years ahead appear no less exciting to Walker.

Tax credit bill sends session into 12th week

 The Delta Democrat-Times, Greenville, Mississippi, Mon, Oct 6, 1969

Page 12Tax credit bill sends session into 12th week 

JACKSON (DPI)-The 12th week of the special session of the Mississippi legislature began today with the controversial Income tax credit bill still a problem. The Iawmakers began a three day recess Friday morning after a futile effort to push the session to final adjournment. At one point, it seemed the legislators were on the way home. But late Thursday night the hangup over the tax credit bill developed. 

The lawmakers gave Final approval earlier Thursday to the $300 million highway program, and then agreement was reached on the Medicaid conference committee report.

The Senate Appropriations Committee reported on a $3.4 million appropriation to cover the state's share of Medicaid costs for the first six months. With little opposition, the appropriation passed in the Senate and was sent over to the House Appropriations Committee. However, the House committee tabled the bill, which killed any chance of adjourning last week. 

The House committee's action apparently was a power struggle in an effort to force the Senate Fiance Committee to take another look at income tax credit. The Senate committee voted to indefinitely postpone action on the measure, which would leave it hanging with adjournment.

The House already has passed the bill allowing tax credits for persons who donate to public or private schools. It was part of the package recommended by Gov. John Bell Williams to aid private schools in the face of stepped up desegregation of the public schools. Some lawmakers apparently felt the plan, which allowed tax credit of 50 per cent on a maximum of $500 in donations, was too costly and might endanger the public school system. Others apparently feared its passage at this time would be unwise.

The chief private school bill, providing $200 loans to children attending private, parochial or other church schools was approved earlier in the session but already was under court attack. A federal judge issued a temporary restraining order Friday to block disbursement of the loan funds until the law can be checked in court. Private school forces apparently joined with a number of senators to get the House committee to table the Medicaid appropriations bill, according to Capitol sources. A number of other appropriation bills were awaiting final disposition, including $5 million grant to assist in rebuilding hurricane - torn Gulf Coast.

Stay With Schools Board Urges

Clarion-Ledger Jackson, Mississippi · Saturday, January 03, 1970

Stay With Schools Board Urges

Trustees, administrators and teachers of the Jackson Public Schools are determined to do all within their power to maintain "a sound public school system in the framework of our laws," J. W. Underwood, vice president of the board, stated Friday. Underwood, in a report authorized by the board, said the district does not yet know what the pupil desgregation plan will be or when it will be put into effect. He said an order on it is expected between Tuesday, Jan. 6, and Feb. 1. 

The full statement follows: "The Board of Trustees of the Jackson Public Schools has requested me as vice-president of the board to make this report to the parents, teachers, pupils, and other citizens of our city. "As we enter a new year, a new decade, we are fully aware that the foremost concern of Jackson citizens is the future of our public schools. I will try to bring you up to date on what is happening, in regard to Jackson Public Schools in terms of recent court decisions and order involving further desegregation of teachers and pupils.

"First of all I would like to emphasize that schools will open Monday as usual after the Christmas holiday in the Jackson Municipal Separate School District. All pupils, teachers, principals and supervisors will report to their usual schools and job assignment. 

"There will be no changes in the operation of the Jackson Public Schools or their programs come next Monday. Schools will proceed on Monday m the same basis that they have operated since September. 

EXPECT CHANGES "We can expect some changes this coming calendar year.

Teacher reassignment has been ordered by the Fifth Circuit Court of Appeals. However, this will not take place any earlier than the first week in February. Implementation of plans for further desegration of teachers as ordered by the Fifth Circuit Court have been delayed by your Board until we receive further orders from the courts regarding reassignment of pupils. 

"Teachers cannot be assigned until we know where pupils will be assigned. We do not know how or when further desegregation of pupils will take place. These questions are now being decided in court. Let me briefly review major events that have taken place regarding the court orders up to this time. The situation changes rapidly and is confusing. All of us are concerned and anxious. 

"On Dec.1, the board of tru-tees received an order from the Fifth Circuit Court requiring that a two step plan for further desegregation of Jackson Public Schools be put into effect. The first step of the order required that teachers and staff in each school be reassigned by Feb. 1, 1970, so that a racial mix of faculty and staff in each school would correspond substantially to the racial composition of the staff and faculty for the school district as a whole. "This means that each school faculty and staff would substantially have a racial composition 

See SCHOOL BOARD, Page 8.

until we know what the of 60 per cent white teachers and 40 per cent Negro teachers. This ratio does not apply to pupils--only teachers. 

SECOND STEP "The second step of the court order required that the superintendent and his staff work with a team assigned by HEW and that the HEW team prepare a plan for pupil desegregation to take place in September, 1970, the beginning of the next school year. 

"These two steps of the Court order involving teachers in Februarv and students in September were publicly announced by your board of trustees. The board of trustees set about to be in a position to comply with the court order-the law.

"The teacher reassignment plans required in step one of the court order were developed by the superintendent, his staff, and teachers and publicly announced. We were prepared to implement the teacher reassignment as ordered. 

SUDDEN CHANGE 

"Then everything changed suddenly. On Dec. 15, the NAACP petitioned the Supreme Court of the United States to over-rule the Firth Circuit and require the board of trustees to further desegregate pupils at the same time teaches were to be reassigned-that is on or before Feb.51.1970. 

"Justice Black of the Supreme Court immediately ordered the board of trustees and superintendent to do nothing to prevent or delay pupil reassignment by Feb. 1 and to prepare the plan with HEW. 

"However, Justice Black also stated that when pupils would be reassigned would have to be finally decided by the full Supreme Court. This question of timing for pupil reassignment Supreme Court.

"The HEW team arrived in Jackson the same day that Justice Black issued his order. Mondav. Dec. 15. Since that time the superintendent, Dr. John Martin, and members of the staff, as they were directed has not been resolved by the to do, have been working night and dav with the HEW teams. The HEW team left Jackson this week. 

"Their recommended plan will be reviewed by several HEW review boards and then submitted to the U.S. District Court on or before Jan. 6 as required.mThe final details of the HEW plan are not known by us at this time. 

ANTICIPATE ORDER 

"This means that right now we do not know what the pupil placement plan will be nor when it to be fully effective. In fact, "as already indicated, the plans prepared by the HEW teams, and now being submitted un the line, are subject to alteration or discard by the HEW review boards in Atlanta, in Washington and by the District Court. 

"All that we do know now for certain is that we expect the court to render its order regarding pupils on or before Feb. 1. We anticipate the order sometime between Jan. 6 and Feb. 1. 

"In the meantime, the staff and superintendent have been working to prepare for alternative possibilities with he goal of maintaining orderly and effective instruction for pupils this | school year. 

"Teachers are still subject to reassignment at the end of January. Details of what teachers| will be transferred and the school to which they will be reassigned cannot be determined until we know what the court will order regarding pupils. "Still another development took place on New Year's Eve. The U.S. Department of Justice petitioned the Supreme Court to delay pupil plans until September, 1970, as was originally ordered by the Fifth Circuit Court.  What will happen is up to the Supreme Court at this time. 

"We do not know what the final pupil plan will be nor when it will be fully effective. When we do know we will announce it to the public. 

"In the meantime, your board of trustees has filed with the Supreme Court, the proper papers opposing and resisting the request by the NAACP that the Supreme Court order the pupil desegregation plan be placed fully into effect on Feb. 1.

"In addition, the board of trustees has requested that the U. S. Supreme Court review and reverse the decision of the Fifth Circuit of Dec. 1, which deals with both faculty desegregation and pupil ( desegregation. 

"We assume and hope that the Supreme Court will act on filed by the board of trustees by Jan.10. 

CITY FORTUNATE 

"We are fortunate in Jackson to have teachers, principals, and staff who are dedicated competent professionals well prepared to do whatever is required to continue a sound instructional program. We are fortunate to have Dr. Martin as superintendent to lead the staff. He was reared by a family of educators in Alabama.

"He has had 18 years of successful teaching and administrative experience in Alabama and Georgia and has an outstanding academic background including a Bachelor of Science, as Master of Arts, and a Doctor's of Education degree from the University of Alabama and Auburn 1 University. His specialty is curriculum and instruction as well as administration. 

"The tremendous task of preparing for the possibilities of both teacher and pupil reassignment has caused him and his staff to work night and day since Dec. 1. They are still working so that whatever takes place will disrupt our instructional program as little as possible. Consequently you can rest assured that whatever this year brings, you will have the best professionals possible working and dedicated to maintaining our fine public school system. 

"Yes, it appears that it will be a "rough year", but please do not jump to conclusions, listen to or spread rumor, or run in panic. Everything that can be done, will be done. This we guarantee. 

QUALITY, SAFETY 

We also want to reassure you you can expect and will receive quality instruction for your child in a SAFE school environment regardless what happens. Your board of trustees, your superintendent and all principals and teachers are determined to do all within our power and ability to maintain a sound public school system in the framework of our laws. 

All of our teachers, Negro and white, are certified and college degrees. Many have master's degrees and many have studied even beyond the master's degree level. All teachers employed must have scored abo the average 0.1 nationally standardized Teachers' examinations.

"It is true that some teachers are better than others, but we have good teachers in our schools and that is why we have good schools. 

"On behalf of the board of trustees and the superintendent of the Jackson Public Schools. let me earnestly request that you be understanding and patient. We know your anxiety. understand your confusion. We are parents, too. 

"In spite of all that has happened or will happen in the next few weeks everything possible is being done to provide your children a quality education in a safe, clean and pleasant school environment. We need your support, cooperation and prayers. We deeply appreciate the hundreds of expressions of support and prayers.  We deeply appreciate the hundreds of expressions of support and understanding already received.

FUTURE CLOUDY 

"Now let me conclude by repeating again that we do not know when or do we know how the future pupil desegregation will take place. These questions are in the courts and until they decide something we will not know. We expect to know sometime between Jan. 6 and Feb. 1. School will continue as usual until the courts decide. 

"We have done and will continue to do everything we possibly can to continue to provide a safe and effective school program of quality in compliance and in good faith with the laws of the land.

Teachers will have to be reassigned at the end of the first semester as things stand now. What the new assignments will be cannot be known until the courts make some decision regarding pupils. The final HEW plan for pupils is unknown to us. 

"We do not know whether pupils will have to be reassigned this school year or in September. We are preparing for varying eventualities in order that every child in our schools will continue to receive a quality education in a safe anwholesome school environment. 

"The superintendent and his staff are working night and day to bring this about and we are fortunate to have such capable professionals in our public formed.

"The board of trustees, Dr. Martin, the entire school faculty and staff join me in wishing all of us a good school year.".

Monday, August 26, 2024

Jerry Clower In Sports Illustrated

 Sports Illustrated April 30, 1973

The sports-banquet season is just ended, and on the Southern circuit many a tepid slab of roast beef was followed by a striking apparition: a 270-pound, 46-year-old, anti-likker, anti-bigotry, deepwater Baptist Mississippi fertilizer salesman named Jerry Clower, whose face looks like John Wayne's from the eyes up and Buddy Hackett's from the cheekbones down. Clower is a born speaker. He pooches his lips out, waves his arms, imitates a chain saw cutting through a screen door, goes "ba-oooo" deep down in his throat like a coon dog named Brumby and finds occasion, somewhere along the line, to reproach his audience: "People, I'm a little disappointed in you. None of y'all have rushed up to me and said, 'Jerry, I remember when you played football at Miss'ippi State.' "

He frowns. He looks like he might cry. "There ain't none of y'all done that and it has disturbed me a little bit. I'll just have to tell you who I am. I am the man, in 19 hundred and 49, at the Auburn Stadium—they had an All-America name of Travis Tidwell, who was a fine back—I am the man, the defensive tackle, in 19 hundred and 49, before standing room only, that Tidwell made 27 yards running backwards over."

Clower goes on to tell, and in salient detail to act out, the story of that memorable play, and the banqueters laugh so hard they get just about as much exercise as they would out of playing the game themselves. Once at a big affair in Nashville, Bear Bryant started trying to make a few notes during Clower's remarks but got so tickled he had to quit. LSU arranged its banquet this winter around Clower's schedule, and he had the people there laughing from deep down. He told about the time he played against Baylor: "I called my mama long distance at the country store, and had 'em to go over there home and get her and bring her to the telephone, and I said to her, 'Mama, just think of this. Yo' pore little old country boy is goin' to play football against the largest Baptist university in the whole world.'

"And then, when I got down to playing 'em, trying to rush in there and keep old Adrian Burk from passing to old J.D. Ison, I run into a guard named May-field—who was bad. He was so mean that when he was ordained a Baptist preacher he had two black eyes.

"This Preacher Mayfield forearmed me back of my head. He shoved my face down in that dirt and that grass, and my bottom lip and bottom teeth just scooped up a big mouthful of that dirt like a dragline."

Clower sticks out his bottom lip and teeth and assumes such a graphic dirt-biting expression that his rapt audience can taste turf through the three-color ice cream. He shudders and makes a series of massive, agonized mouth-pawing motions. "I jumped up spittin' and knockin' the grass and the dirt out of my mouth, and I said, 'Fella, you the dirtiest thing I ever played against in all my life. And you supposed to be a Baptist preacher!'

"And he stood up erect—they had done throwed the ball for a touchdown—he stood up erect and popped his hand over his heart and he pointed his long finger right in my face and he said, 'The Bible says, the meek shall inherit the earth.'

"And I had just inherited a mouthful of it."

The stories Clower tells are more or less true (Travis Tidwell, by his own recollection, ran over him backward for only seven yards). Clower compares himself favorably, and aptly, with such country-humorist predecessors as Andy Griffith and Brother Dave Gardner when he says, "I don't tell funny stories. I just tell stories funny."

He tells them all over, not just at sports banquets. In his time he has enlivened many a broiler festival and county fair, at least one tobacco-spitting contest and an armadillo festival. He has appeared at the Grand Ole Opry several times, on the David Frost and Mike Douglas television shows and on stage with country-music stars as far north as Boston. His two record albums have together sold 650,000 copies and he says with a characteristic lack of false or even true modesty that he has never had an audience that did not warm up to him eventually.

Sports banquets, however, may be his strong suit. His interest in sports and recreation goes way back, after all, to his boyhood in East Fork (Route 4, Liberty), Amite County, Miss, during the Depression.

"The main thing we done to entertain ourselves in those days," he recalls, "was work. We was so poor that when Mama would make up some flour gravy, whatever was extra she'd can it. Every seventh jar she'd put some black pepper in, and that was for Sunday.

"But we had lots of sports and social functions: candy pullings, log rollings, coon hunts and rat killings. You ain't lived till you been to a rat killing. All of us would get sticks and go down to the barn. We'd move the corn and then we'd whop the rats. Even now, I advocate everybody killing their own rats. I think they'd enjoy it.

"We'd hunt rabbits. Have peanut boilings. Corncob wars—our friend Marcell Ledbetter'd say he was Hitler, and me and my brother Sonny'd invade him. We didn't sit there and talk about being poor, we didn't send for any Federal Government recreational director to teach us dumb games and pour a Pepsi-Cola for us. We'd make us a flying jenny, or make us a cart—hook up a goat to a wagon. We rid bull yearlings one evening and climbed pine trees the next. We'd go down to the swimming hole and play gator—gator was tag."

But they couldn't do what Jerry and his brother Sonny wanted to do most—play football. East Fork Consolidated High School was too small to afford a team. So the Clower boys had to content themselves with "kicking a Pet milk can at recess in the middle of the gravel road" and listening to some games on the radio.

"We'd have to put that old battery radio down in front of the fire till it got hot, then snatch it away and run plug it in the wall, and it would play till it cooled off. One time we listened to Notre Dame and Army playing, and I said 'God Almighty, listen to all that yelling. Must be a thousand people there.' Well, little did we know it was a hundred and three thousand." And little did he know that one day he would be yelled at in major-college stadiums himself.

He might never have been if it had not been for Pearl Harbor. Clower says that his sentiments when the nation was attacked were as follows: "I hear tell, if Hitler and Tojo win the war they're gonna make us quit having dinner on the ground at East Fork church. And we like that. And you know when we gonna quit having dinner there? When somebody is physically strong enough to come down here and whip us and make us quit." The Clower brothers joined the Navy and did such a good job of helping to straighten out Hitler and Tojo that Sonny made the Navy his career, and Jerry felt up to taking on whatever good-sized college man might be placed in front of him in a game of football. "I didn't know a three-point stance from a swan dive," he says, "but when I came back to East Fork with a duffel bag over one shoulder and a Japanese rifle over the other I said, 'Mama, I'm goin' to pursue my life's ambition!' "

The gridiron career that ensued did not strike many observers as an intensely dramatic one. It struck Clower himself that way, however, and it grows more and more vivid the longer he tells about it—on his records, from touchdown-club rostrums and from behind the wheel of his black Buick as he drives between engagements and fills the whole story out for an interviewer.

"When I walked onto the campus of Southwest Mississippi Junior College in Summit, Miss. I was six feet tall and weighed 214 pounds. And in them days that was big. And as soon as I saw some people, I said, 'I'M LOOKIN' FOR THE FOOTBALL COACH!' They took me to his office and the coach jumped up and said, 'Son, I'll give you a half scholarship just looking at you. Tell me quick, what position is it that you play?'

"Well all I knew to say was, 'I am the man what runs with the football.'

"Now, friends, I went out for football 16 days, and they made me a tackle, and the first college game I saw, I played in it.

"They had laughed at me when I went to dress out. Called me a redneck. Now I am country. I can draw up a bucket of water and never disturb the well. I can treat a 50-gallon drum of shell peas with Hi-Life and kill ever' weevil, but won't get enough of Hi-Life on the peas to hurt you when you eat 'em. I can keep a settin' hen from quittin' the nest just by cluckin' to her. I can prepare chitlins fresh creek-slung or stump-whupped.... But can you imagine somebody from downtown McComb, Miss. calling me a redneck?

" 'Course I did put that thigh pad on under my arm and I ain't about to tell you what I did with that athletic supporter. But I played tackle, guard, linebacker, defensive end, offensive end and even some center, and a man I knew wrote to Mississippi State and said, 'Jerry don't know much about football, but he's big and aggressive and come from a good Christian home....' And they gave me a call.

"I got up there to that big Southeastern Conference school where they fly places on airplanes, and there I was alongside a fella who had a whole page in the program about him being a high school superstar. Mentally, it does something to you. But I didn't forget where I was from. The man puttin' out the program came to me and said, 'It says here on the list you from East Fork, Miss. Ain't even a post office there. We're going to put down Liberty.'

"I said, 'No you ain't.' And in that old program it said East Fork, and the next year, when The Progressive Farmer came around home selling subscriptions—and you got a free map when you bought one—for the first time that map had East Fork on it.

"Well, by the time the season started I had gone up against some of them folks that had made all-big this and all-little that in high school, and I had white-eyed them. And I was the first-string tackle. My first game was against Tennessee. I walked out onto the field and heard that horn blow and I thought the City of New Orleans done jumped the track and run over me. I looked over and saw their coach, General Neyland, standin' on the sidelines and I thought my old Miss'ippi heart was gonna bust. And when Bert Rechichar drawed back and hit me one time with his forearm, I wished it had.

"The whole time I was playing, Miss'ippi State tied one ball game. Didn't win none. And I didn't get named All-America. I did throw Eddie Price of Tulane once for a 15-yard loss. Stuck 'im—oh, I was so proud. I jumped up, just as thrilled, and Shag Pyron, who's now highway commissioner of the Southern District of Mississippi, and who was playin' with me then, said, That's the way to hit the sumbitch.' They th'owed the flag down and stepped off 15 yards, for cussin', and that wiped out the only great play I ever made.

"But listen. In 1947 one Saturday me and a buddy of mine at Southwest Junior College went to New Orleans to see Notre Dame and Tulane. Johnny Lujack th'owed that ball like a clothesline, tkchoookt. Lord! Well, in 1949 I, Jerry Clower, what had growed up without a high school team, lost 11 pounds on the same field, myself, standing right there, where Mr. Lujack had stood."

Before Clower could claim fame of his own, however, he had to get into fertilizer. After his two years at Mississippi State the New York Yankees of the old All-America Conference invited him to a tryout, but he had to find a more reliable way to support himself and his wife Homerline, so he got his bachelor's degree in agriculture and worked as a county agent for a while. Then in 1954 he became a salesman for the Mississippi Chemical Corp., a big, notably progressive fertilizer concern in Yazoo City, where Clower still lives.

"I have been intimately associated with salesmen for 24 years," says Mississippi Chemical Vice-President Charles J. Jackson, "and Jerry is the best salesman I ever saw." But Clower recalls that it took him a while to get his sales pitch down. "I'd go to a co-op meeting and get up and tell them folks how we made homogenized, water-soluble, pelletized, chemically mixed fertilizers. And after making one of them talks I never did get invited back nowhere. So I started telling stories about my beloved Amite County."

Now there are many people around the country who have never heard anything about Amite County that wasn't abhorrent. It is a county that has not stopped burning crosses. A pistol dropped out from under the sheet of one of Clower's boyhood friends during a Klan parade not too long ago. In private, and in the heat of local civic disputes, Clower faces up to such matters with a vehemence that would warm a line coach's heart. When he is telling stories for entertainment, however, he focuses on the recreational aspects of Amite life as it was when he was a boy.

There was the time Newgene Ledbetter (whose siblings were named Ardel, Bernel, Raynell, Lynell, Marcell and W. L.) replaced the church communion grape juice with green persimmon wine, "and everybody rose and whistled the closing hymn."

There was the time Sonny Clower came running into the house with a rat he had just dispatched and started yelling, "Mama, Mama, looky here what a rat! I done whupped him over the head with a corncob. I done stobbed him with a hayfork...." And just then Sonny looked around and saw the preacher sitting there in the living room and without missing a beat he "hugged that rat up against him, and petted it, and said, 'And then the Lord called the pore thang home.' "

Then there are the coon-hunting stories Jerry tells. Uncle Versie Ledbetter had a famous fighting coon dog named Highball, which hooked up once with the biggest coon in the swamps and fought it up and down trees and in and out of creeks for hours until all of a sudden the two of them fought their way up onto the railroad track and the City of New Orleans came along and killed them both.

Old Uncle Versie started to howl ("Whaaaaaw") and throw himself about, to the point where Jerry felt called upon to remind him that old Highball's puppies would grow up to replace him.

"I know that!" yelled Uncle Versie. "I ain't such a fool as to carry on so just over a dog dying. But I'm afraid old Highball died thinking that coon killed him."

Clower's most famous coon-hunting story, one which farm groups make him tell over and over, involves old John Eubanks and the time something got ahold of him in a high tree. John Eubanks, "a great American, a great tree climber," bit off more than he could chew because "he didn't believe in shooting no coons out of no tree. He taught us from birth: 'Give everything a sporting chance. Either take along a crosscut saw and cut the tree down, or climb the tree and make the coon jump in amongst the dogs. Give him a sporting chance.' A lot of times we'd climb a tree and make a coon jump in amongst 20 dogs. But at least he had the option of whuppin' all them dogs and walkin' off."

As it happened, Brumby, the dog, one night treed something "in the biggest sweet gum tree in all the swamp. It was huge. Old John hung his toenails in the bark and went on up. From near the top he hollered, "Hooo, what a big 'un!' And he took out his stick from his overalls pocket and punched the coon.

"Only it wasn't a coon. It was a lynx."

The rest of the story cannot be adequately rendered in print. One has to hear the way Clower throws himself into all the voices—the lynx', John's and those of the men down on the ground saying, "What's the matter with John? Knock 'im out, Johnnn."

John says, "Whaaaaaw! This thang's killin' me."

Still not quite realizing the extremity of the situation, the men down below holler, "Knock 'im out, Johnnnn."

And John hollers, "Hooooooo, shoot this thang!"

And the men holler back, "Can't shoot up in there, Johnnnnn. Liable to hit yooooou."

And John groans, in as fine a representation of agony as is likely ever to be heard from a banquet dais, "Well, just shoot up here amongst us. One of us got to have some relief."

That story—along with somewhat milder, but actually not very much milder, reflections on how to eat sorghum and biscuits right and how Pete Maravich manages to dribble with long hair—brought down the house at a long line of co-op meetings, cattlemen's association confabs, large-scale coon hunts and sports boosters' lunches. Clower became Mississippi Chemical's top salesman and public-relations figure.

Then one night three years ago in Lubbock at a feedlot association function, a radio-station man recorded live an album full of Clower's stories. Copies of it were sold by mail, and pretty soon Decca picked it up. Next thing Clower knew, Jerry Clower from Yazoo City, Mississippi Talkin, with liner notes by an English teacher from Mississippi State, Mrs. Burke C. Murphy, was No. 11 on the national country-album charts. "And when you played football at Mississippi State and you get to be No. 11 in the nation in anything, you done arrived," Clower observes with relish.

Clower has been accorded star treatment on visits to New York, but his head has never been turned. The first time in New York, "Decca sent this lady to meet me at the plane, and I thought, well, I'm happily married, and if they had to send a lady to meet me, I'm glad they sent one with a nice, long conservative dress. I wouldn't want nobody to fling no cravin' on me.

"Well, she went to get in that limousine, and her dress parted. Her naked leg was sticking out in that there Cadillac. I said, 'Lord, woman, what's done happened to yore dress?' She said, 'I got hot pants on under there.' I said, 'I don't want to know about under there.' "

Clower is still on salary with Mississippi Chemical—his colleagues there say they expect his entertainment career will level off someday and he will return, honorably, to fertilizer sales. He still makes appearances for the company. Recently he told the Farmers' Valley Co-Op in Natchitoches, La., "I growed up as a runt. Looked like I just got over a hookworm treatment all the time. Then my brother Sonny went off to the Navy, and before I joined up, too, I gained 50 pound. I found out what he'd been doing. He'd been goin' to the safe with a tablespoon and skimming off the cream from the milk. For 17 years I'd been drinking blue John!

"And friends, when you don't use homogenized fertilizer, when you let somebody talk you into picking up something cheaper, then some of your crops are drinkin' blue John....

"Hoo-eee," Jerry went on to tell the farmers, in reference to the co-op's ownership of shares in Mississippi Chemical, "aren't you glad you own the biggest and finest urea plant in the world?" Then he told them he was going to appear in Monroe and Shreveport, La. with country singing stars Tammy Wynette, George Jones and Freddie Hart. "And I sure do hope y'all'll come. And if you do, just get up and holler "Fertilizer!' and I'll know who you are."

As close as he stays to the fertilizer scene, however, he keeps in even better touch with sports. This is true even though he no longer takes active part in any sport at all, except for an occasional special coon hunt at the behest of somebody like Nelson Bunker Hunt, son of H.L. (referred to by Clower as "the old he-coon himself"). He doesn't play church softball even, and when somebody at the office tried to get him and the Mrs. to go camping, Homerline said, "The payments on this house are too high for me to go out and sleep on the riverbank."

"My wife wants me to take up golf," says Clower, "but I'm too much of a competitor. I'm afraid I'd grit my teeth and want to whup everybody."

"Jerry played golf once," says Don McGraw, a vice-president at Mississippi Chemical. "The first tee on the course we play is on top of a hill. He said he'd be afraid to hit a ball from there, he might hit it over the green and over the fence and over the highway and into the cement factory, about half a mile away.

"Well, we finally got him out there, and his tee shot hit the inside wall of the carport of the pro's house, which was 50 yards away. That's the last shot I've ever seen him take. He does play Ping-Pong once in a while. As I recall, he has quick hands, and they're big, and he hits the ball with his hands more than he does with the paddle."

Almost everybody at Mississippi Chemical can tell a good story, but Charles Jackson, one of the best, admits that nobody is in a class with Clower. "He puts all his energy into 'em. I can't mock that lynx or that chain saw the way he can. He's the most exuberant man I've ever seen."

Clower, in other words, tells stories as hard as he used to play tackle, and with considerably more recognition. "Every time Darrell Royal sees me," he notes proudly, "he says 'Jay-ree!' " Tommy Yearout of Auburn used to play the record of the John Eubanks story before a game to psych himself up. The Mississippi State secondary has been known to use phrases from that story as pass-coverage signals. Clower says that last season as he watched a Houston Astro game on TV he was startled to hear a fan yelling, "Knock 'im out, Johnnnn!" when Johnny Edwards came to bat.

But then Jerry knew a good many sports people before he became a recording artist. Among the athletes he knew in college are Alex Grammas and Joe Fortunato. In his travels he has dropped in on the Mississippi State athletic department faithfully enough that his friends include virtually everybody who has coached or played there in the last 10 years. And it was his longtime position as confidant and counselor to his town's high school athletes, not his show biz stature, that caused such a strong reaction when Yazoo City native Jerry Moses was catching for the Angels, and Clower showed up unannounced in the Anaheim stands before a game.

"Jerry was warming up a pitcher. As soon as he saw it was me, he throwed his catcher's mitt one way and the ball the other way, jumped up on the railing, grabbed me around the neck and started screaming. The pitcher looks lost. He is just standing there. He ain't got no ball, he ain't got no catcher."

Clower has been president of the Yazoo City Touchdown Club, the Yazoo County chapter of the Mississippi State Alumni Association and Yazoo City's Dixie Youth Baseball. However firmly he has left on-the-field activity behind him, he is one of the most energetic off-the-field sportsmen in his part of the country, which is saying something. When he watches football he gives it 100%.

"Sit down in front of that TV," he rhapsodizes, "with the tray there in front of you, and Mama [Homerline] brings me something good to eat, and the baby crawls up in my lap to be loved on.... There ain't a day in the United States of America I love more than New Year's! Have them hoghead and peas simmerin' on the stove and sliced onion in the icebox and a whole big old pitcher of ice tea, and when the Rose Bowl ends, oh Lordy, got another'n coming from Miami. Good gracious, how 'bout it!"

He has also been known, as anyone in Yazoo City can attest, to attend a game in person. "He'll embarrass you," says local Ford dealer Bill Woodruff.

"No I won't," shouts Clower. "I'll just yell, 'Let the hammer down!' " He'll also yell, "Umpiree, throw down that rag," and "Knock 'em out, Red! Get 'em, big Red!" in encouragement of the Yazoo City Indians (who presented him with the game ball when they won their last game to go into the Big Eight state championship in 1969).

"You can hear him all over the stadium and half the town," says Jackson. "He's by far the most outspoken fan there's ever been in this stadium, or any stadium."

But nobody has ever known Clower to get into a fight with anybody who disagreed with him, or to meddle in the coach's business. "Jerry's the ideal of a school's athletic booster," says Don McGraw. "You seldom find a man who's as wrapped up in it who can keep from being critical. And he's one of the few people I really believe," adds McGraw, an Ole Miss man himself, "when he says he's for either Ole Miss or Mississippi State except when they play each other. I really believe Jerry supports the Rebels when he says that."

"That's right," Clower says. "The Poole family—Ray, Buster, Barney—who are some of the best people ever to play for Ole Miss, are my friends. The finest gallon of molasses I ever had in my life I got at their Mama Poole's house. My State friends can't understand this. "What do you want to have anything to do with them for?' they say. Lots of State fans would be against Ole Miss if they was playing Grambling."

Homerline is less charitable toward Ole Miss. She is a down-home, quietly blithe Amite Countian who was the first and only girl Jerry ever dated and also the one with whom he stood up and acknowledged Christ as his personal savior 34 years ago (a football coach named C.C. [Hot] Moore was leading the singing in church that night, Jerry likes to recall). Once in Oxford after Jerry blindsided an All-SEC guard named Tank Crawford, the Ole Miss fans began yelling "Kill 77," which was Jerry's number, and she still hasn't forgiven them.

Clower particularly treasures Homerline, he says, because "sometimes I get to thinking I'm something. Man on the radio done called me the greatest humorist in America. Man, I'm a hoss. I'll speak to the church some morning and I'll fling a cravin' on 'em and when we're drivin' home, she'll put her hand on my leg and say, 'Honey, you got kind of wound up this morning, didn't you?' No matter how great I think I am, she can usually come up with somebody who's greater."

Homerline, who never offered a word of advice when their son Ray was playing high school football for Yazoo City, is as much of a coach's friend as her husband. "A bunch of women in town went down to get the coach fired," Jerry says. "They said the coach had cussed in front of their children. Said he'd called 'em chicken-blank. Homerline said, 'I was tryin' to think what word would describe the way they played the other night, and that's the word.' Well, it broke up the meeting.

"If I had asked the Lord to design me a perfect wife it would have still turned out to be Homerline," says Jerry, but eugenically speaking she might have been bigger or else brought a little speed into the family.

"God is going to kill me for this," Clower has said, "but I have always wanted to get a baby out of old Lance Alworth and one of these big Russian women that run so fast."

"Jerry's greatest ambition in the world," says Jackson, "is for his boy Ray to make a great football player, which he is never going to do. Ray is aggressive, but he's not big or fast enough to be more than a good junior-college guard. I know it hurts Jerry on the inside. But he acts like that was what he had picked for him."

Certainly, Ray, although he has always worn his father's old number, shows no signs of having had any parental frustration worked out on him. He seems as secure and solidly engaging as his three younger sisters, and in fact he finished up an exemplary career as a 200-pound guard at Holmes Junior College last season by being named to the junior college all-state team. In the spring of his junior year in high school, he nearly died in a car wreck the night of a big dance.

"I ran down there and talked to the driver of the car," recalls Jerry with great emotion, "and I asked him if Ray was drinking. He said, 'No, Mr. Clower, not Ray.' And I found out that was true.

"So I sat down in the hospital while they worked over my son and said, 'Lord, whatever happens, I'll praise yo' holy name. I never did get to play high school ball, and he done kicked 38 times for a 44-yard average. Lord, don't let him die.'

"And he didn't. And the first practice that next fall, Ray and Larry Kramer, who'll be a senior back next year at Ole Miss, come together like two young bulls. Kfwap! And I was afraid that lick on the head was going to reoccur. But old Ray got right up off the ground and run back to the huddle and never had any more problems with his head."

Clower may be one of the few current-day Christians whose prayers the Lord looks forward to, if they are anything at all like the rest of his conversation, and if such odd elements as punting statistics keep turning up in them. But anybody looking to brand Clower as a regionalist or redneck might accuse him of espousing conventional pieties. Each of his albums includes an entirely un-humorous sermon on Americanism and decency, and he never says anything bad about sports. "The field of sport could be the thing that's come nearer to bein' perfect than any other profession," he says. "I love college football better than any other thing that happens in the world today, except the salvation of my soul and my family.

"Football has enabled many a country boy to get an education," he recently reminded a big banquet audience that hardly needed to be reminded. "Without football I'd have still been hauling pulpwood. And it's also the only sport I know about where ever'body can get his lick in ever' time the ball is snapped. I try to tell young folks, 'If you want to get attention, play football. Not only can you get attention but they'll even play a band for you while you perform.' "

If anybody deserves to express such unhip sentiments, Clower does. They have worked for him and for a lot of boys he has counseled, and he held to them at Mississippi State in the face of strong discouragement.

"Arthur (Slick) Morton was head coach when I was there," he says with eloquent distaste, "and his first year he ran off two or three potential All-Americas. I stood in line to have a cast put on my broken hand with 17 people. In 17 weeks of spring practice he beat ever'body down just awful. He'd yell, 'I don't see no blood out there!' Against Tennessee, he grabbed me by the collar and cussed me for a sonuvabitch in front of 37,000 people, because I let myself be double-teamed by Bert Rechichar and Jimmy Hahn."

Clower has proven over the last couple of years that he does not go along with every stereotypical Deep South, good-old-boy, football-loving attitude. Not only did he refuse to campaign for George Wallace, but he has become heatedly involved in the defense of desegregated public schools.

The "white sanctuary" private academies set up to evade Federal court orders in Mississippi were "built on hate," he says, and even if he weren't against them himself, he doesn't think he could have forced his kids into them. Ray played on the first integrated Yazoo High teams and now shares a dorm suite with black teammates at Holmes. His two school-age sisters, Amy and Sue, are also public school loyalists. Their father has run into hostility for standing with the public system.

In fact "Jerry Clower Day" in Amite County was put off last year when some of the folks there argued that he had gone against his raising on the school issue. At length the occasion came off, however, and Clower went back home and said to a big crowd, "The day I stop being an Amite Countian is the day Dr. Ray Lee and Kenneth Gordon [the leaders of the anti-Clower faction] join the NAACP."

Clower has not gone so far as to join that organization himself, but his was one of the few white families in Yazoo City to keep on buying groceries from Deacon Patenotte, a white man who does belong to the NAACP and whose store was therefore patronized by blacks when they boycotted other local white businesses in 1969.

Feeling ran high during the boycott, and one man declared that the trouble with the town was people like Clower buying from Patenotte. Clower said he told the man, "Go ahead. Call Walter Cronkite on the telephone. Go down there, and as I come out the front door, shoot me. And let Walter focus that camera on the blood and say, 'War veteran, father of four, shot down in a free country trying to buy groceries at the store of his choice.' "

Later Clower addressed a state coaches' convention and adjured them, only slightly less dramatically, to stay with the public schools. When he was quoted as saying that the coaches who had left to join the academies had "tucked tail and run," a Jackson editorialist denounced him.

Clower has always made a point of not imitating black voices in his stories. When a man came up to tell him how much he enjoyed the story "about the lynx getting ahold of that nigger up in the tree," Clower replied, "What do you mean? John Eubanks was my cousin." Now he goes around saying things like, "If God was to suddenly strike ever'body white, some folks'd be in a mess 'cause they wouldn't know who to hate."

More bitterly, he takes off on a white racist commenting on the violence attendant upon James Meredith's entrance into Ole Miss: " 'One of the writers was from France that they killed. They found him over by the girls' dormitory. I understand he had a little mustache. Little sonuvabitch mighta' needed killin'.' "

Using his own imagination, Clower suggests that "they take a bad word, like 'kike,' and change it to mean "whipped cream'—where when you said it, it couldn't possibly mean anything mean or nasty. Change 'feet' to 'nigger'—'A football field is 100 yards or 300 niggers long.' "

But he doesn't use any of this antiprejudice material in his act. He may go so far as to come out against "beefin', bettin' and boozin' in the stands" while addressing the Birmingham Touchdown Club, but in general when he hires out to do a job of entertainment, he says, he doesn't think he ought to impose his views on people. "I don't want to lose the dialogue I have with a lot of people who need to change, like I've changed. I try to say things that a person will just about have to admit being an out-and-out racist and fool to object to, like mentioning that I had breakfast with Charley Pride."

So he walks onto the Kosciusko, Miss. football field before a county-fair audience that is mostly white (although times have changed to the point where blacks are throwing baseballs at a target and knocking a white Jaycee into a barrel of water). He commiserates with a girl whose foot's been stepped on: "Yep, a cow step on you, she'll twist her foot. Mule'd just lift it off."

He signs autographs on torn-off scraps of pasteboard box for the girl and for an old man, who says, "I used to coon hunt till I got hurt back here so bad. You know, it's so rough out there where I live the buzzards won't even fly over it."

Clower feels good out under the lights: "I can't walk out on a football field without feeling like the official's gonna come over and check my cast."

From the stage erected for him in front of the grandstand, he trees the coon with John Eubanks for the people of Attala County and tells about rat killings: "...awhuppin' at him with a dried brush broom. And if those women was running a rat, it was a dead rat."

The audience loves it. He tells them, "You're the heartbeat of America. You hear on television, 'This is where it's at.' Unh-unh. Naw. You are where it's at."

And he means it. It was among people like these that he came by his great appetites: for food ("I don't drink or smoke or cuss and I just love one woman, but I'm a hog and I'd like to have a sandwich right now; I get nervous when I'm not eatin' "), for abstinence, for sports, for religion, for flinging a craving on an audience.

Maybe such drive comes from growing up poor back up in the woods, and maybe some of it comes from growing up needing the father whose drinking and early departure is the one thing about Jerry's life he will not discuss. Some of the energy comes from the Faulknerian tangles of pride and denial entailed in any Mississippian's roots. "I've seen William Faulkner sittin' talkin' to the reddest of rednecks," Clower says. "I don't know of no country store in Lafayette County he couldn't sit down on a nail keg in front of and whittle. With that little old brown hat on, look like he'd fought a wasp's nest with it...."

There is a lot of fighting in Clower's nature, even though his friends say he will always talk his way out of a tense situation, and even though his answer when you ask him, "How are you?" is "If I felt any better I'd have to go fishing." There is a clash, just looking at him, between his clown's jowls and his crazy preacher's eyes, and the only time the clash is fully resolved is when his face is contorted in tumultuous narrative.

The high points of his stories almost always entail either ferocious eating or a death struggle, or both at once. " 'I wanta dig one of them tunnels and meet one of them Japs underground,' Marcell told the recruiting sergeant. 'I wanta fling my bare hands around him down there and bite him....'

" 'Son, you're crazy,' the sergeant said."

Once when Jerry was a boy, "Tobe Clark came by with a pie pan full of salt to take to the mules, and he said, 'I'll give a nickel to whichever of you boys can take the biggest bite.' The others took a little bit and spit it out, but by God I was going to win. I got a whole mouthful and walked to the well, got me a dipperful of water and drank my bite. It made me deathly sick, but I got the nickel."

Jerry Clower might well have developed into somebody a good deal more disorderly than he is. "If I'd been born black," he says, for instance, "I'd have made Stokely Carmichael look like a circumstance." But he is smart and success-oriented and a traditionally moral man, and in pursuits like football, sales and grass-roots civics, society has furnished him rules within which to struggle.

"I got to compete," he says. "Name off any-country humorist there is. I'm willing to go with him head-to-head. With a laugh meter. In Madison Square Garden, or anywhere." He has already come out on top in more interesting grapples than that.




Saturday, March 30, 2024

Slaughterhouse-Five

 a challenge to American exceptionalism

BOYD CAMPBELL

MAR 30, 2024

A girl I liked in ninth grade reported on “Slaughterhouse-Five” in class. Able to read much better and much faster than I could in previous years, her classroom book reports inspired me to read “The Hobbit” and “Watership Down.” While I couldn’t compete with her academically, I didn’t want her to forever know things I couldn’t, so even though it took me until the next fall to finish the book, I read “Slaughterhouse-Five” because she did.

When Kurt Vonnegut died, Fox News said he was a “despondent liberal.” They mentioned the suicide attempt he had written about years before and suggested that he finally got his wish. Upon his passing, the National Review called him a “leftwing nutjob.” What sort of person invokes this kind of hatred when he dies?

Franklin Delano Roosevelt used the Great Depression and the impending war in Europe to whip the Republican Party into submission. When he died, and the war ended, the Grand Ole Party resurfaced with a new and better mission. Men like Walt Disney, Joseph McCarthy, Howard Hughes, and Roy Cohn used their powers to deliver a new message. America, with its corporate giants, is the strongest, smartest, best, most powerful, and most moral country in the history of the world, and if you didn’t agree, then you clearly were a communist. The Democratic response became, “What about the people you left out of the equation?” and that’s essentially the situation we live in today.

In school, you were probably told that the most horrible, most destructive attacks in World War II were Nagasaki and Hiroshima and the advent of the American Atomic Bomb. America was quite proud of our bomb’s destructive capability. The success of last year’s film “Oppenheimer” suggests this feeling continues. You weren’t taught correctly, though. The most destructive attacks in World War II came not as a product of American scientific genius but from conventional weapons produced in mass quantities by America’s corporate giants. The bombings of Tokyo and Dresden brought on more destruction, more human carnage, and suffering than any other attack in the history of the world.

In December 1944, four months after his mother’s suicide, Kurt Vonnegut was deployed with the 106th Infantry Division to what became known as “The Battle of the Bulge.” By the end of December, Vonnegut was captured with fifty of his fellow servicemen and shipped by rail to the Prisoner of War camp in Dresden. He described it as “the fanciest city I’d ever seen.” He was told, and he believed, that the Germans had their prisoner-of-war camps in Dresden because Dresden had no military industry. Following World War I, treating war prisoners became a concern in the West and the Germans. This concern became part of the Geneva Convention that met after the end of World War I.

Between February 13 and February 15, 1945, a joint operation by the United States and Great Britain unleashed a barrage of incendiary and concussive bombs on Dresden with such ferocity and volume that it is still recorded as the most destructive single attack in human history. It would be another twenty-five years before Americans became willing to discuss this. When Vonnegut wrote Slaughterhouse-Five, most Americans had never heard of Dresden. Mired in the Vietnam War, draft-age young people and godless liberals attached considerable meaning to the book.

The book begins with an omniscient narrator telling us about Billy Pilgrim, a member of the Chaplin Corps Who was captured in the Battle of the Bulge and sent by rail to a prisoner-of-war camp in Dresden. Pilgrim and the other men on the train were housed in a repurposed abattoir, which they are told was named Slaughterhouse-Five. In Slaughterhouse-Five, we meet characters who appear in subsequent Vonnegut stories and novels, including a teacher named Edgar Derby, an American Nazi Propagandist named Howard Campbell, and Paul Lazarro, who blames Pilgrim for the death of his friend, Elliot Rosewater, and swears one day to kill Pilgrim.

The science fiction element of the novel is introduced with an alien race known as the Tralfamadorians. In the 1972 film, they are portrayed by balls of light. In the novel, Vonnegut gives them an appearance similar to what Salvador Dali might have created. After his encounter with the Tralfamadorians, Pilgrim becomes “unstuck” from time, experiencing the scenes in his life out of their natural order, sometimes simultaneously, and often looping back on themselves.

After reading Slaughterhouse-Five in the ninth grade, it would be several more years before I knew how Faulkner or Joyce used non-linear time in their writing. Vonnegut would have been acutely aware of them. There’s a clear and deep connection between modernist writers like Faulkner and Joyce and post-modern writers like Vonnegut.

A veteran of World War II and the Korean Conflict, George Roy Hill went on to direct some of the more notable films of the 70s and 80s, including “The World According to Garp,” “Slapstick,” “The Sting,” “Butch Cassidy and the Sundance Kid,” and in 1971, at the height of the Vietnam War, and the surrounding protests, he directed “Slaughterhouse-Five.”

Not wanting to use “name” actors, Hill introduced Michael Sacks as Billy Pilgrim. Sacks went on to do “The Sugarland Express,” “Hanover Street,” and “The Private Files of J Edgar Hoover.” Realizing that the part of Montana Wildhack required a fair amount of nudity, Hill hired Playboy Playmate Valerie Perrine, who had never acted before. She went on to be nominated for a Golden Globe and an Academy Award for her part in Bob Fossee’s “Lenny” on the life of comedian Lenny Bruce.

In 1954, Buckminster Fuller shocked the world when he introduced a cardboard model of his revolutionary building technique that became known as the “Fuller Dome.” Durable and economical, there are several notable Fuller Domes in Mississippi, including one in Rankin County, which is sometimes called the best fried catfish restaurant in the world. Without question, the Fuller Dome is the most important architectural development of the entire post-modern era.

In Slaughterhouse-Five, the Tralfamadorians rescue Billy Pilgrim from his own troubled planet and build a home for him on theirs, in a luxuriously appointed Buckminster Fuller dome, where they bring pornographic actress Montanna Wildhack for him to mate with.

Using non-linear time in much the same way Faulkner did in “The Sound and the Fury,” Vonnegut spins a tale that questions American Exceptionalism, the American Dream, the condition and meaning of man, and the horrors of war.

Ray Bradbury used science fiction to expand and explore the limits of man’s imagination, and Kurt Vonnegut used science fiction to expand and explore the limits of man’s condition. I suppose there will always be those who hate Vonnegut for challenging the idea of American exceptionalism and the Vietnam War. I don’t think that would bother or surprise him.

READ MORE ON SUBSTACK

Thursday, March 14, 2024

The Bug Truck

 How often have you heard that we lived in simpler times? When people my age say it, they’re often forgetting the Cold War, the culture war, school desegregation, civil rights protests, Watergate, Iran-Contra, Aids, crack babies, and more. Like Billy Joel said, we didn’t start the fire. It was always burning.

Our parents, who were born during the Depression and celebrated the end of World War II, did seem to have more faith in our government than anyone does now. An issue during the baby boom was dealing with childhood diseases, and our parents dealt with that in much the same way they dealt with World War II, with technology and organized effort.

We had to receive a series of inoculations at different ages to enter any school. Vaccines for everything from the mumps to polio were administered either at your pediatrician’s office, or they would line us up in school and administer a multi-vaccine in the fatty part of our arm using a device called a pneumatic jet injector that looked like something Buck Rogers might use and left a tell-tale ring-shaped scar in your arm for the rest of your life, proof you were born in the fifties or sixties. No one ever questioned it. If you lived here, you got the shot, and nobody got polio.

There were no vaccines for diseases carried by mosquitos or biting flies. In northern states, this wasn’t as much of an issue because the cold weather kept the mosquito population in check. In the deep South, though, disease carried by mosquitos was a genuine danger to children.

The federal government determined that the most effective method to control the mosquito population was to use the chemical Dichlorodiphenyltrichloroethane, otherwise known as DDT. Like many Southern states, Mississippi paid men to drive through neighborhoods in a truck with a fog device in the back, emitting a dense cloud of insecticide-laden smoke.

The clouds the spray trucks were emitting must have contained kerosene because they smelled strongly of it. As children, we would either ride our bikes behind these trucks or run behind them, laughing insanely at the spectacle. The whole neighborhood would turn out.

We were so trusting of adults, especially anybody we identified as a civil servant, that none of us ever gave a moments thought to whether this might be dangerous or not, even though we knew the smoke was used to kill bugs.

My grandmother, who had raised two girls during the great depression in Mississippi, which was already desperately poor, didn’t share our trust in the government and begged us not to ride our bikes behind the bug truck. My mother insisted that they wouldn’t be out in the neighborhoods spraying like that if the smoke was any danger to us, so we were allowed to continue chasing the truck without getting in trouble.

We were allowed, that is, until 1972, when the federal government, which had proscribed our use of DDT, decided that it was a dangerous chemical that might give little boys like me cancer, so the state of Mississippi discontinued the use of DDT.

So far, nobody I know has died from riding behind the bug truck. They say some of us who were exposed to DDT might be at risk for Alzheimer’s disease, but I don’t know how they’d ever determine if it was the bug juice or any of the other millions of chemicals we were exposed to.

Nobody ever talked about the government secretly using mind-control drugs in the bug spray, or population control or any of the other things you hear people on the edges accuse the government of these days. We didn’t trust the government not to make mistakes because DDT clearly was one, but there wasn’t this widespread paranoia about what the government might do to us.

Maybe we didn’t live in simpler times. Maybe we had simpler minds and didn’t clutter them with fears and paranoid delusions. Maybe we trusted that the government was people just like us, for all the good and all the bad that might suggest.




Wednesday, February 28, 2024

God Knows When You're There

Because my father preferred going to the early morning service, and he preferred to sit in the choir loft of the chapel, we used to joke that only God and Clay Lee ever knew the Campbell family even went to church.  My Mother was more sociable and would have preferred the eleven o'clock service, but she was outnumbered and outvoted.  So, there we sat, the Campbell clan, Mary Taylor Sigmon playing the chapel electric organ, and sometimes a soloist, worshiping in anonymity,

My grandfather, my father's father, believed in sitting on the ground floor (a concession to my grandmother) but on the second to last row.  He believed you should save the last row for late-comers.  He believed in entering quietly and leaving expeditiously without any gossip or glad-handing.    My grandmother was equally averse to gossip, but oh, how she loved glad-handing.  When I was there with them, that often led to Grandaddy saying, "Stay with your grandmother; I'll pull the car around."  That way, they both got what they wanted.  He escaped quietly and quickly, and she got to visit almost as long as she wanted to.  

My oldest brother once asked a fairly obvious question: "Why even go if all we do is sit in the back?" My grandfather answered, "God knows when you're there."  

A lot of people probably thought I had given up on God, the church, and the community a long time ago.  Nobody knows when you watch church on television.  I don't know what I would have done if my church hadn't been on television.

I never felt like I had any business expressing my opinion on the progress of the United Methodist Church and no business getting involved.  Most of that, I think, is that I hadn't yet found my voice.  Even though I was constantly writing, it wasn't ever communication because I never let anyone see it.  I had to get pretty close to death before I became willing to let anyone see my words.  

I sometimes worried that people might think I had forsaken them, that my silence made them think I no longer cared.  My father taught me to worship in silence, away from the eyes of men, because it wasn't the eyes of men I was praying to.  In all those years of silence and my lack of involvement, there was never a time when I wasn't intently aware of what my church was doing and what became of the people in it.  God knew I was there.  

Now that I've found my voice, I'm still not entirely sure the best way to use it, but I feel much more confident in using it now than I ever have.  

Friday, February 23, 2024

Dramatics Through The Years At Millsaps by Lance Goss

 DRAMATICS THROUGH THE YEARS AT MILLSAPS

1892-1946

by Lance Goss, Jr.

Plays were definitely not the things at Millsaps College for more than twenty years after its first session in 1892. There were those tagities which may be called substitutes, but for the histrionically inclined there is no real substitute for dramatics, no substitute for the smell and feel of grease paint, no substitution for the thrill which comes when the curtain goes up and you take a part in a play losing yourself totally in the character and personality of someone else.

 The inspiration for the first dramatic club organized at Millsaps was afforded by a play presented by the Cap and Gown Dramatic Club of A. and M. College at the Century Theatre in Jackson on Thanksgiving, 1910. A few days later in the library, as the Millsaps co-eds gossiped over their sandwiches and cold potatoes which they had brought from home for lunch, they decided to form a dramatic club of their own. Possibly the only reason for their action was to have something to do and to get their names in the paper. At any rate the club was formed and Miss Courtney Clinghan was elected president and Miss Annis Bessie Whitson, Secretary. No performances were given by this first group of Millsaps thespians, but they did succeed in getting some publicity including a page in the Bobashela of 1911.

 The first real attempt at dramatics was in 1913. In that year Professor S. G. Noble directed Millsaps students and local actors in Shakespeare's “As You Like It”. The play was presented with the same stage directions as it was played by the Ben Greet players; costumes similar to those worn by the Ben Greet players were ordered. Elaborate plans were made, and much time and effort expended. A few days before the presentation of the play, letters and telegrams began arriving at the president's office from various members of the Methodist clergy in Mississippi protesting the presentation of a play by that ungodly man, William Shakespeare, at this religious school. The president of the college, Dr. Alexander Farrar Watkins, told Professor Noble to ignore the protests and to proceed with his plans. He said that he, personally, would be responsible to the ministers for the presentation.

Plans had been made to present the play twice, once in a natural amphitheater which Professor Noble had discovered on the campus, and second in the chapel of the administration building; but on that Tuesday in May it rained making it necessary to present it both times in the chapel. The play was hailed as the greatest local talent presentation in the history of Millsaps College, and even of the city of Jackson.

Jack Gaddis, the Millsaps student who played Orlando, was the first star in the history of dramatics at the college. (He was killed the following year in a railroad accident.)

 Following this 1913 presentation of “As You Like It” there was again a long period in which no plays were given, and the students had to be content with debating, declamation, mock trials, and faculty burlesques. The faculty burlesques were especially popular, and many times the instructors at Millsaps found themselves the objects of teasing, and the students parodied their mannerisms. (In the 1923 burlesque the part of Professor Patch was played by a young student named Ross Moore, or, as he was sometimes called, Ross Hoss Moore.)

 In 1920 Dr. A. A. Kern resigned from the faculty of Millsaps College and in his place was elected the man who was to do more to establish dramatics at Millsaps than any other individual, Milton Christian White, professor of English. With the coming of President Key in 1923 (sic) the green light was given Professor White, and he hastened to prepare his first play.

 His first choice was “Fascinating Fanny”, a farce-comedy in two acts. With a less energetic and less ingenious group it would have been impossible to present a play on the stage of Murrah in those days. The reviewer in the “Purple and White” stated that the play got off to a slow start, but that it improved after about ten minutes to such an extent that it might be called "consistently funny." In his criticism he also discussed the handicaps under which the play was presented:

The little company labored under three handicaps; First a stage not easily adapted to the presentation of a play, and which necessitated one of the characters climbing out of one window and in by another in order to enter by the proper door. The impromptu curtain was doubtless the inspiration for the emitting of some words not to be found in any Sunday school text, and I hope that by the next occasion the company will have become sufficiently enriched to purchase some rings in place of safety-pins which now so incompetently act as substitutes therefore. The second handicap was the auditorium...And third, the audience was far below the standard of the players. ..Those in front of the footlights (and by the way, there were no footlights--a play without footlights!) were certainly appreciative, but not sufficiently sympathetic.'

“Fascinating Fanny” was the initial stroke; it paved the way; dramatics had come to Millsaps in spite of many handicaps. In February of 1926 the students under the direction of Professor White presented “A Noble Outcast”, a melodrama. As presented by Millsaps the play was "neither cumbersome, sloppy, nor unreal." It was so successful at Millsaps that the students decided to take it to Flora for presentation there. Professor Ross Moore tied the scenery on Coach Van Hook's car, and the performers went on the road, marking another first in the history of dramatics at Millsaps College.

The next few years saw real advances in the quality and the quantity of the plays produced. James Montgomery's hilarious comedy “Nothing But the Truth”, was given seventeen times by the Millsaps Players in Jackson and other Mississippi cities. “Broadway Jones” with four changes of scenery (another "first") was presented by the Players in 1929 in Jackson, Canton, Crystal Springs, and Forest.

 In April, 1928, "after a splendid production of ‘Nothing But the Truth’ and a successful season" the Millsaps Players were granted a chapter of Alpha Psi Omega, the national Honorary dramatic fraternity. The Millsaps chapter was the first in Mississippi and was called the Alpha Pi cast. The charter members were Lem Searight, Hohm Finch, S. F. Riley, Marguerite Crull, Peggy O'Neal, Eula McCleskey, and Professor Mitong White. The first understudies were E. B. Dribben, Margaret Bynum, Marie Flink, Octavia Sykes, J. W. Alford, P. P. Perrit, Cling Baker, Jeff e, and Clara Lee Hines.

 While Professor White was away studying at the University of Wisconsin, Professor Ross Moore became director of the Millsaps Players, and in April, 1930, he twice presented successfully the comedy-drama, “Straight Through the Door”. During the fall session of 1930 he produced three one-act plays, and in February, 1931, before one of the largest audiences ever to greet a Millsaps play, Professor Moore staged “Some Baby”, "a success from every point of view." The following April he directed “It Won't Be Long Now”.

 By 1930 there is evidence that the churchmen of Mississippi had lost some of their extreme dislike for William Shakespeare, because in that year Millsaps College sponsored the presentation of “Julius Caesar” as acted by the Shakespearean Players of Utica, New York.

 Having got by with one Shakespearean play, Millsaps College decided to try again in 1931, and Sir Philip Ben Greet came to Jackson, sponsored by Millsaps, in “Macbeth”. Three years later Millsaps dared Marc Connelly's “The Green Pastures”. Times had indeed changed!

 (There is one more event which occurred in 1930, which should be mentioned. In May the Mississippi College Dramatic Club invaded Jackson and presented “A Successful Calamity” successfully. What a calamity!)

 Professor White returned to Millsaps in the fall of 1931, and in January of 1932, he and Professor Moore revived “Nothing But the Truth”.

 In January 1933, Professor White produced “The Nut Farm”. The reviewer in the “Purple and White” was not enthusiastic:

The first act tended to drag due to dialogue scenes with little action and much explanation, some of which the players forgot. (The prompters who served so well in this act should have honorable mention.)...A Mild performance with a bellyful of laughs and no surprises or intensities.

The production of the following year made up for the comparative failure of “The Nut Farm”. Grace Grace Mason starred in “Hired Husband”. This time the “Purple and White” critic said, "Never has a presentation of the Millsaps dramatic club been better cast nor more enthusiastically received than has ‘Hired Husband’...A huge success!" The play was presented twice in Jackson and then carried to Brookhaven, Sanatorium, Prentiss, Crystal Springs, and Lake.

In April members of the players went to New Orleans to see Katherine Cornell and Basil Rathbone in “The Barretts of Wimpole Street”.

 In a fine new setting, encouraged by a near capacity house, the Millsaps Players inaugurated a new era in dramatics at Millsaps in 1935 with the production of A. A. Milne's  ‘Mr. Pim Passes By”. "Murmurs of appreciation for the handsome new curtain were drowned in a burst of applause as the golden drapery silently" parted "disclosing a beautiful new interior." Bill Carraway's "Arrow collar" profile and Grace Mason's "obvious attractions" added much to the play. The Millsaps Players carried “Mr. Pim Passes By” to Whitworth College in Brookhaven in exchange for the Whitworth production of Ferenc Molnar's “The Swan”.

 The Millsaps Players carried on their "new era" in dramatics in 1935 with the staging of Oscar Wilde's famous play “The Importance of Being Earnest”, in which Grace Mason, Bill Carraway, and Ras Masell, three of Millsaps' most outstanding actors, made their farewell appearances of the Millsaps stage. The Purple and White refused to write a criticism of the play:

"In case you are wondering why we have not reviewed the recent drama put on by play directors White and Moore, we might say we knew the censor would kill the article, anyway. To do the play justice the review would have to be sexy, too."

1935 was one of the most important years in the history of Millsaps dramatics. In addition to the plays produced, the Players spent more than seven hundred dollars on scenery, curtains, and stage equipment.

 In the spring semester of 1937, two three-act plays were presented by the Millsaps Players. In January Billy Kimmbrell and Mildred Clegg took the leading roles in “The Bishop Misbehaves”, and in March the Players produced for the third time “Nothing But the Truth”. The leading parts were played by Paul Whitsit and Lucile Strahan.

 In the fall of 1937 “Her Step Husband” was presented at Millsaps and taken on the road. The Players also staged "A Friend at Court" by Caude Merton Wise of Louisiana State University. In January of 1938 the students and faculty of Millsaps presented Ross Moore's life of Major Millsaps on the radio.

 Probably the most meaningful and significant play ever attempted in Jackson and certainly the most important yet put on by the Millsaps Players was given in February, 1938. “The Servant in the House”, the Players first attempt at serious drama, starred Paul Whitsit, Billy Kimbrell, Mildred Clegg, Glenn Phifer, Andrew Gainey, Planton Doggett, and Bob Ledbetter. The play was presented before a capacity audience at Bailey auditorium.

 The administration of Millsaps allotted the Players money for new equipment, including floodlights and scenery in January of 1940, and in February the Millsaps Players presented “Stop, Thief”.

Replacing the familiar and time-honored green living room- bedroom- kitchen- office- stable or what-have-you" was "a set designed especially for ‘Stop, Thief’ by Bob Nichols and Nelson Nail. Also making their debut were "two magnificent floodlights, the pride of Nichol's life."

Probably the Millsaps Players reached their all-time high in the fall session of 1940, when they produced Alberto Cassella's famous play, “Death Takes a Holiday”. This play brought forth an editorial in the Purple and White by an Old Timer:

In regard to acting, our talent has been much better than plays and circumstances deserved. Such actors as Lem Seawright, J. W. Alford, Louis Decell, John B. Howell, Ras Mansell, Gordon Grantham, Paul Whitsit, and others surely won for themselves a place in Millsaps' theatrical Hall of Fame. One hesitates to mention the great among actresses for fear of offending artistic temperament, but certainly it would include Janelle Wasson, Marguerite Crull, Grace Mason, Almeida Hollingsworth, Lucile Strahan, and Glenn Phifer.

Dr. White has been largely responsible for the continuation of a dramatic program at Millsaps. Through the years he has pled with would-be actors to learn their lines and come to practice. He has made the best of limited equipment and lack of finances.

 When the curtain went up on “Death Takes a Holiday”, the old timers realized that such a set had never before graced a Millsaps stage...Here was a set that needed no apology, thanks to Bob Nichols and Nelson Nail...

 Now, however, the players have put themselves on the spot. They must not in the future be content with “Stop, Thief” and “Nothing But the Truth”, or with people who will not learn their lines, or shoddy scenery and poor lighting. For all these have been overcome and there can be no return from Death.

As a result of the reorganization of the Millsaps Players in 1940-41 the membership in the club was composed of approximately one fifth of the entire student body.

 The precedent set by “Death Takes a Holiday” was respected the following year when two famous plays were presented by the Millsaps Players: “Charley's Aunt” and “The Passing of the Third Floor Back”. Seven one-act plays were given, and “Her Step Husband” was revived the same year.

 The war had its effects on dramatics at Millsaps. There was only one major production between April, 1942 and September, 1943, and it was a revival of “Mr. Pim Passes By”, with Joe Fields in the leading role.

 In September, 1943, the Millsaps Players produced Somerset Maugham's famous comedy, “The Circle”. The cast included Peggy Tyer, Elizabeth Buchanan Williams, Otis Singletary, C. P. Thomas, and G. P. Conditt, and J. R. McManus.

 The school year 1945-46 saw a revival of dramatics at Millsaps College. “Her Step Husband” and “Mr. Pim Passes” By were both and Millsaps produced the famous Broadway hit, “Arsenic and Old Lace”, which was presented twice with a different cast each night. It was greeted enthusiastically on both performances in Jackson and on the road.

 Today the dream of the Millsaps Players, of Dr. White, of Mr. Paul Hardin, the new assistant director, and of all their friends is a Little Theater on the college campus, where there will be storage space for scenery, a good stage, proper lighting, and the innumerable things that go to make up a successful production. Great strides have been taken; much has been done; but with a playhouse of their own, the Millsaps Players would make the best yet to come.

 Located in that theater of the Players' dream should be a Millsaps Theatrical Hall of Fame, with pictures of all the most outstanding followers of Thespis in the history of histrionics at the college, going all the way back to Gaddis, Orlando in “As You Like It”. New pictures should be added each year, keeping an accurate record of these people who contribute most to the continuation and betterment of plays at Millsaps, so that the phrase, "A Millsaps Players Production" will have a real value.

Tuesday, February 20, 2024

What a glorious time to be free

 Scientists named July 1957 until December 1958 the International Geophysical Year, a worldwide symposium of some of the earth's greatest thinkers to discuss their universally positive predictions for the future.  They discussed things like flying cars, cures for all diseases, world peace, stellar and interstellar space travel, colonization of Mars, and emerging artificial intelligence.

I wasn't born a deconstructionist, but I became one, partially due to my education, partially due to my naturally sanguine nature, partially by what I saw on the news, but also, in very large part due to the art that bled through my senses into my inner mind.  

From the mid-fifties until the mid-seventies, there was a period of unbridled optimism in science and science fiction.  The post-war optimism made us believe we could do anything, and the scientific leaps forward born of the war tended to prove it.  The war gave us radar, computers, jet engines, rockets, and dependable helicopters; science fiction gave us ideas like Robby The Robot, the Wheel in Space, and sentient computers.  

As the 70s drew to a close, it was becoming clear that this bright vision of the future might have been a pipe dream.  There were no flying cars, no free energy, no permanent space stations, and no bases on the moon.  Science fiction started to turn toward ideas of a dystopian future.

In 1982, Donald Fagan of the album-oriented Steely Dan released a solo album titled "The Nightfly."  One of the songs on this album was IGY, International Geophysical Year, where he deconstructs mid-century optimism.

Standing tough under stars and stripes
We can tell
This dream's in sight
You've got to admit it
At this point in time that it's clear
The future looks bright
On that train all graphite and glitter
Undersea by rail
Ninety minutes from New York to Paris
Well by seventy-six we'll be A-OK

What a beautiful world this will be
What a glorious time to be free

Get your ticket to that wheel in space
While there's time
The fix is in
You'll be a witness to that game of chance in the sky
You know we've got to win
Here at home we'll play in the city
Powered by the sun
Perfect weather for a streamlined world
There'll be spandex jackets one for everyone

What a beautiful world this will be
What a glorious time to be free

On that train all graphite and glitter
Undersea by rail
Ninety minutes from New York to Paris
(more leisure for artists everywhere)
A just machine to make big decisions
Programmed by fellows with compassion and vision
We'll be clean when their work is done
We'll be eternally free yes and eternally young

What a beautiful world this will be
What a glorious time to be free



Official Ted Lasso