The White Stag

In high school, my very favorite person was named Paige.  She had joined our tight-knit little class pretty late along the way but fit in really quickly.  We took biology from a man named Dan, and we sat at one of the lab tables in the back.  Paige would hold my hand and press her knee against mine under the table.   

Another girl was calling me every night at home and talking to me about how her family was coming apart, so I never pursued Paige, who would have been a fantastic girlfriend, but the other girl might have felt betrayed at a time when the world was turning against her, so Paige and I reminded just friends, no matter how much time we spent together or how much time I studied the way her eyes moved or tried to copy the shape of her lips in the margins of my notebook.

One day, Paige said, "Look at that!" and she pointed to a person in one of the classes under ours.  They were a little shorter than Paige, unnaturally thin, dressed in baggy khaki pants, a short-sleeve collar shirt with buttons, and a wide, striped tie, not our school tie, which we didn't have to wear to class anymore, but a regular men's tie, but not a new one.  It was almost as if they'd gotten the tie from Goodwill or snuck it out of their grandfather's closet.  Their hair was cut shorter than mine and parted to the side with some sort of pomade to help keep its shape and an Alfalfa cowlick sticking up in the back.

"That's a woman, but she wants to be a man!" Paige said with a girlish laugh.  "Isn't that funny?" She said.  There wasn't a thread of hate or fear in her voice.  She was delighted to be so near something as unique as a girl who wanted to be a boy, and she wanted me to share in that delight, almost as if we'd seen a shooting star or a white stag together.  

"Go introduce yourself." She said, nudging me almost hard enough to push me off the bench in the quad building at school.  I'm not big on introducing myself, even now.  I especially wasn't then.  With my stutter, an attempt to not only introduce myself to a new person but a new kind of person would have probably meant that no words came out at all, or if they did they wouldn't make much sense.

I'd heard of a tennis player who went somewhere in Europe to get a "sex-change" operation, but that was a few years before and quite a way away from St. Andrews Episcopal Day School.  The idea that such a person was at my school seemed impossible, but thanks to Paige, it also now seemed magical and something I could learn from.

Paige wanted me to introduce myself to this person so that she could talk to them as well, and then they wouldn't be as lonely as they appeared.  I wish I'd done it.  It's bothered me quite a bit through the years that I didn't.  There were a lot of times when Paige knew the right thing to do, and I didn't.

Once I knew who this person was, I watched them intently in their odyssey through school life.  Some of my teammates said very cruel things about them, but even though these boys had a reputation as bullies, they never bullied this person, my white stag; he was too alien, even for them.

People who struggle with verbalization learn to read emotions from people's faces.  What I learned from watching the White Stag was that they were never very happy, lived in constant fear of being judged, and were in a constant state of readiness to defend their existence.  From what I could tell, they had no friends and no one to talk to.  They ate lunch alone, which is the ultimate sign of isolation in high school.  

I'd read so many stories about creatures who were the only ones of their kind and how unhappy they were.  Often, they were described as monsters, even the ones with no destructive powers like Quasimodo, who was named a monster by the world, even though he was purer of heart than anyone else in the book.  Although we had some classmates who acted like monsters, the only people in the entire school who were treated like monsters were the White Stag and a girl named Laurie, who had pronounced autism.  

After high school, I didn't see the White Stag for many years until one day, I went to my wife's church, and as we were sitting on a bench talking, the White Stag came out of a car and walked into the sanctuary.  "That's a woman who wants to be a man," she whispered in my ear while holding my hand.  It haunted me how, twenty years later, these words came up again and again from my favorite and most trusted person.   In all those years, our White Stag still walked alone, without a smile, with a look on their face letting you know they were ready to defend their existence.

Transgender high school students have become a political hot topic.  I have absolutely no education on the subject.  I'm not a doctor or a psychologist.  I'm also not a parent to a transgender child.  With that in mind, I don't really have an opinion on the best way to handle this situation, except I feel pretty strongly that it should be up to the doctors, psychologists, and families involved, not politicians.  If it were your child, that's what you would want.

What I do know is what I felt very strongly every time I encountered The White Stag.  No one should be forced to live in isolation like a monster.  Everyone deserves friends; everyone deserves a seat at the lunch table and someone to talk to.  Nothing led me to believe the White Stag chose to be the way they were.  Even though they didn't choose it, they still had to live with it, and it's up to people of faith to make that life as full and as loved as they can make it.  

Whale Discovered in Reservoir

Reprinted from Clarion Ledger
Jackson MS April 19, 1962

Ancient Bones Give View Of Past To Digging Crew 

Workers digging at the Pearl River Reservoir took a journey through time Wednesday when St-feet of fossil bones, described as everything from dinosaur to whale vertebrae were uncovered by earth-moving machinery. The bones were discovered between 8 and 9 a.m., when a piece of machinery lifted the top dirt off of the fossil. Shovels were then used to avoid damage, and the area was roped off. Digging continued in hopes of finding the head of the fossil but as yet it has not been discovered. Plans were being made to place loose dirt or boards over the bones to keep them in good condition until a geologist can examine them.

Dr. R. R. Piddy, geologist at Millsaps has been contacted and will study the bones Thursday morning, according to workmen. Workmen on the scene were mildly excited over the find, with much speculation as to what it was, but said in their type of work, they are constantly watching for remains of prehistoric animals. A guard at the Reservoir, Carey Alridge, viewing the fossil, neatly summed up the situation by saying, "Preached to me all my life that our ancestors had more back bone than we do looks like that might be right.

PEARL RIVER RESERVOIR

Geologists Identify Fossils As Back Of Ancient Whale (Earlier Story On Page 2A)
By VAN SAVELL Associated Press Staff Writer

Geologists identified a series of fossilized bones found on the Pearl River Reservoir construction site Wednesday as the back vertebrae of a 40-million-year-old "Basilosaurus" or whale. "The find is not uncommon," said William H. Moore, a member of the Mississippi Geological Survey team. "But, the condition is peculiar with its vertebrae almost completely intact." Moort described the ancient whale a member of the "Zeugledon" family as nearly Identical to the present-day giant ocean mammal, except for its sharp head. A bulldozer operator unearthed the unfamiliar charcoal object about 9 a.m.

Wednesday. Ross Grimes of Carthage, crew supervisor, stopped work completely when he realized what had been uncovered. , The geology team described the whale as about 35 feet long with weight between eight and 10 tons. Vertebrae sections near the real end of the fossil were 17 inches in length and about 40 inches in circumference. A white bone described as part of a rib was 22 inches long and broken on both ends.

After lengthy investigations, Moore told the Associated Press the whale "apparently sank to  the bottom of the sea and turned over on its back. "You see, the vertebrae is upside down and the rib cage points skyward." He described the peculiarities of the find, apparently rare elsewhere but common in the "Yazoo Clay" found in the area.

"The animal is almost completely intact, and with patient work, we might uncover it in the same condition," Moore said. "Apparently, the ground conditions caused the bones to turn to charcoal instead of the normal lime, causing the hardness of the object." Moore said a conference with Survey Commission officials would reveal whether attempts would be made by Mississippi to preserve the whale. "If we don't have the money," he said, "then we'll have to turn to some college geology department for the work." The fossils were found about eight feet underground and scattered over a 60-foot area, except for the 35-foot long connected vertebrae section..

Fossil On Display Ms Museum of Natural History

Addams Family Mansion

 Charles Addams and his wife before College Hall, the structure at the University of Pennsylvania that inspired the mansion seen in the Addams Family cartoons.  Known as a "ladies' man," Addams married several beautiful women, none of whom were murdered.  

First Look at Poor Things

As you've probably gathered from the trailer, this year's "Poor Things" is a reimagining of Frankenstein, with Emma Stone playing the role of the reanimated corpse.  In this version, her body is that of a young pregnant woman who took her own life, reanimated by a scientist who replaces her brain with that of her unborn child.

You'll hear a lot about how the film handles social roles, particularly sexual roles, and the frank way the creature discovers the world through her attempts to understand sexuality.  You'll also hear a lot about the arresting visual style of the film.

Most of my thoughts watching the film were about comparing how Boris Karloff handled this character in the 30s vs how Emma Stone handled it today.  

Scarticia and Horrible Movie

William Tuttle

 Every artist has a very recognizable style.  William Tuttlel was responsible for some of the most remarkable prosthetic makeups in film (prior to Planet of the Apes). Here are two examples of his work.  Eye of the Beholder, an episode of The Twilight Zone, and a Morlock from The Time Machine.  

Godzilla and Perry Mason

 In 1954, Japanese studio Toho, released Gojira, a copy of America's Beast From 20,000 fathoms, remade with political and strong anti-nuclear overtones.  It quickly became the most attended, highest-grossing release in Japanese film history.  

The uncut film in Japanese found a limited release in the USA, almost exclusively in Japanese neighborhoods.  In 1956, American producer Joseph E. Levine paid Toho $25,000 for the American rights to distribute Gojira.  Gojira was a made-up word with no English equivalent, so Levine sounded it out phonetically and came up with "Godzilla."

Afraid American audiences wouldn't appreciate the film's political overtones, Levine trimmed out almost twenty minutes.  He then injected scenes shot in Los Angeles with American actor Raymond Burr with body doubles of Japanese characters in the original footage to try and match the existing Japanese footage.  He randomly picked Steve Martin's name for Burr's character many years before the banjo-playing comedian became famous for his song "King Tut".  

Adding the subtitle "King Of The Monsters", Godzilla was released to American Audiences in 1956 to the same baby boomer, drive-in audiences that fueled the 50's sci-fi craze and rivaled the success of many home-grown films.  

The original Japanese version was hard to come by in the US.  As monster obsessed as I was, I never saw it myself until bootleg versions became available on VHS in the 90s.  

In 1957, CBS hired Burr to play Perry Mason, one year after Godzilla King Of The Monsters.  Mason was a pulp novel character featured in over eighty novels beginning in the 1930s.  He appeared in films and radio with other actors before television.  

Perry Mason flipped the typical pulp novel detective formula by making the title character a defense lawyer rather than a policeman or a private eye.  Perry Mason never really defended anyone as we know it. His clients were never guilty.  He used detective skills rivaling Hercule Poirot and invariably proved his clients never committed the crimes they were accused of. Often he exposed the true culprit in the courtroom itself! 

Burr's original run as Perry Mason ran from 1957 to 1966, revived in the seventies, and several made-for-tv movies in the eighties.  Burr was tall, steely-eyed, and wore impossibly angular suits.  He had the looks of a matinee hero, and he was also quite gay, in a time when American men were being arrested just for being gay.

Burr had a short-lived, studio-arranged marriage to a woman he hardly met.  Following that, he simply lied and made up two more wives, both of which he invented melodramatic deaths for, making him a grieving widower in the public's eye.  

Burr's actual life partner was actor Robert Benevides.  They were together from 1960 until Burr's death in 1993.  Benevides was not a terribly successful contract actor who had small parts in The Outer Limits and The Monster That Challenged The World.  He gave up acting to do production work on Burr's projects, including executive producer of all the Perry Mason TV movies. 

After 1975's Terror Of Mecha Godzilla, the fifteenth Gojira film, Toho Studios put the character in abeyance for nine years.  In 1984, Toho considered reviving the character for its thirtieth anniversary.  Koji Hashimoto took over the reins as director, with the working title: Gojira Returns.  Hashimoto took the bold step of making his film a direct sequel to the 1954 original, ignoring all the intervening fifteen films.  

Roger Corman's New World Pictures purchased the rights to distribute Gojira Returns in the US.  Renamed Godzilla 1985, they again reached out to Raymond Burr to shoot American sequences to cut into the Japanese footage.  Burr was delighted to comply, expressing a fondness for the monster.  In the thirty years since Godzilla King of The Monsters, comedian Steve Martin became a star, so Burr's character was renamed just Mr. Martin.

Corman negotiated a deal with Dr. Pepper for product placement in the American shots.  Burr refused to comply, so another actor was shot constantly holding a Dr. Pepper can
.  Burr's scenes took a little over a day to shoot.  He reportedly wrote Godzilla's epilogue himself.  

Gojira Returns gave new life to the series and new Japanese and American Godzilla films continue to this day.  Perry Mason returns to television without Burr and both franchises thrive into the twenty-first century.

Mississippi Mummy

In the 1920s, the Mississippi Department of Archives and History purchased an extensive collection of Native American artifacts from Colonel Brevoort Butler.

Included in these artifacts was one item that was clearly not of Native origin, an Egyptian mummy said to be a princess.

For decades the mummy was displayed in the Old State Capitol Building, becoming a much-loved attraction and source of local pride that Mississippi should have such an exotic item.

In 1969, Gentry Yeatman, a local medical student interested in archeology, asked the museum for the "human remains" to study for evidence of disease.

Permission was granted to remove the mummy and send it to the University of Mississippi Medical Center for an autopsy, where radiological examination showed quite a surprise!  

Inside the mummy were a few animal ribs and several square nails holding together a wooden frame. He discovered the "mummy" primarily consisted of paper-mâché, including German newsprint and pages from an 1898 issue of the Milwaukee Journal.  Our prized artifact was a forgery!

The fake mummy is 

The Mummy and the X-Ray

more famous now than ever and considered a prized possession as an artifact of Mississippi Folklore.  The Old Capitol Museum often displays the Dummy Mummy around Halloween.

Links:

The Case of the Dummy Mummy 

The Dummy Mummy

The Real Carfax Abbey

 In Bram Stoker's 1897 novel Dracula, we are told that Harker procures a Carfax Abbey in Whitby, London, England, for his client, Count Dracula, to reside.  Carfax Abby is an imaginary creation of Stoker but based on Whitby Abbey, an actual structure in the same location.

The initial construction of Whitby Abbey began in the 7th century.  It housed Benedictine monks until it was confiscated at the orders of Henry VIII in his battles with Rome in his efforts toward the dissolution of the monasteries (1536-1541).  It was abandoned after this and remains a ruin to this day.   

Stoker visited Whitby in 1890 and found the gothic ruins the perfect setting for a story. 

Henry Irving

At the time, Stoker worked as an agent for Henry Irving, the actor.  His first thought was to make his vampire story a play for Irving, but when Irving decided he had no interest in the part, Stoker used Irving's likeness and personality to create his vampire, Dracula.

There are other real-life locations used in the novel, but I thought you might enjoy a photograph as this one was so remarkable visually.

Learn more about Stoker's visit to Whitby and how it gave him the idea to create Dracula