Behind the scenes with Kukla, Fran and Ollie

Burr Tillstrom began making puppets and having puppet shows in the 1930's.  In 1947, he joined forces with radio singer Fran Allison and began broadcasting Kukla, Fran, and Ollie in Chicago.  Kukla was a bald clown, and Ollie was a dragon.  Tillstrom operated the puppets behind a scrim that reflected projected light, but you could see through it on the other side,  and looked at a television monitor behind the puppet stage with him to monitor the performance. 

In 1953, the dynamic of a girl talking to puppets was combined with a short story, "The Man Who Hated People," and his novella "Love of Seven Dolls," by Paul Gallico, to produce the film LiLi with Leslie Caron and Mel Ferer (Audrey Hepburn's Husband).  The same story was used to write the musical play "Carnival."

A New Perspective On The Academy

 Some of the best students of literature and history I ever met were electricians and plumbers in the daytime.  Some of the best carpenters and electricians I ever met were lawyers, doctors, and accountants in the daytime.

For forty years, I've advocated that Millsaps could work with Hinds Community College to offer joint degrees.  That way, your sons or daughters could get a degree in modern language and plumbing, history and carpentry, theater and cattle science.  So far, precisely zero people have taken up my idea.

You spend four years in college.  It costs a great amount of money.  The best thing we can do for these young people is to help them create a framework they can hang their life on, recognizing that their brains go in many different directions, and sometimes what they're best at isn't what they're best at making money with.

Can you imagine how useful a person with a theater and carpentry degree or a theater and electrician's degree could be for theater artists?

I Hate Andy Warhol

I never much cared for Andy Warhol. His contemporaries like Andrew Wyeth and Jackson Pollock did amazing things working with the traditional elements of painting like, form, line, light, color, and texture. Warhol had some mastery of these elements, but no more than the average art student.

The primary element of Warhol's work was culture. By presenting us with a rectangle full of familiar images, he re-contextualized the television experience. Television though, constantly contextualizes itself, so Warhol didn't really add anything.

People are more likely to buy a painting if there's somebody famous in it. Artists have been doing this for thousands of years. You can go down to Jackson Square in New Orleans this very afternoon and find a couple dozen artists doing exactly what Warhol did in that respect.

The art movement attributed to Warhol would have happened without him. The television experience was already producing dozens of artists doing exactly what Warhol did. By the time he retired, there would be thousands. Now that his techniques are fairly easy using a computer, there are millions.

Warhol's fame comes mainly from being at the right place in the right time. The New York art scene has a way of propagating and inflating bullshit to mammoth proportions and Warhol became its beneficiary. His work and his personality made him, effectivly, the Perez Hilton of his day.

I'm glad we live in a world where an artist can become as famous as Andy Warhol; I just wish it'd happen to better artists. My suspicion is that better artists would shun the social situations Warhol thrived on, and since those social situations are probably the biggest part of Warhol's fame, it's probably unlikely that a better artist will ever achieve his level of noteriety, at least in their lifetime.

100 Years of Magic Drawings

Sometimes artists many years apart have similar ideas.

Below is J. Stuart Blackton's The Enchanted Drawing, produced in 1900



YouTube

Over one hundred years later, Dutch artist Evelien Lohbeck updates Blackton's idea to incorporate modern technology.


Noteboek from Evelien Lohbeck on Vimeo.