Sunday, January 15, 2023

Flat Footed

Try not to read too much into this.  It's real, but it's a combination of several conversations with more than one person over a period of time.  What's important is that I somehow understand what they were feeling, even though it was many years ago now.  Maybe I'm trying to figure out what I was feeling, too.  What I was thinking.  Why I was caught so very flat-footed, hit between the eyes when I was supposed to be the observant one.  I don't hold any grudges.  It's all just a whisper of a memory.  I've never stopped caring for anyone, no matter what happened.  Sometimes, I just wasn't able to be what they needed me to be.

        Robert: 

"Whatever it takes, I feel obligated to try and work things out."

        Lisa:

"I know"

        Robert:

"I've invested a great deal of time...you're important to me.  Your happiness, it's important to me.  I've invested..."

        Lisa:

"I know"

        Robert:

"Try to explain to me...  Tell me.  Tell me, what went wrong?  What happened?"

        Lisa:

"It wasn't real."

        Robert:

"Wasn't real?  What do you mean?  What wasn't real?"

        Lisa:

"none of it."

        Robert:

"None of what?"

        Lisa:

"None of what was happening.  None of it is what I wanted.  None of it is what I ever wanted."

        Robert: 

"But, you said... We had plans.  You said this is what you wanted.  You said I was doing what you wanted, what you needed.  We went to... We did things ...  How could none of it have been real?"

        Lisa:

"I was taking a lot of pills."

        Robert: 

"I knew,"

        Lisa:

"You knew what?"

        Robert: 

"I knew about the pills, ok?  I knew."

        Lisa:

"They made me do things, say things...It's not my fault."

        Robert: 

"Was it my fault?"

        Lisa:

"You let it happen."

        Robert: 

"Let what happen?"

        Lisa:

"You let me do it."

        Robert: 

"I was doing... I was trying to do... You said you needed me to do these things."

        Lisa:

"I said a lot of things.  They weren't real."

        Robert: 

"I don't understand."

        Lisa:

"They weren't real."

        Robert: 

"To me... What I said was real!  What I did...  I meant it.  I meant all of it.  I was telling the truth!"

        Lisa:

"I know."

        Robert: 

"I...What do I do now?  Where do we stand?'

        Lisa:

"We don't.  You move on."

        Robert: 

"I don't understand.  I did...  I did what I was supposed to do.  I did what I said I would do.  I did what YOU said you needed me to do.  I was telling the truth. The whole time.  I meant what I said.  I felt what I said.  I did what I was supposed to do!  How is a man supposed to know what to do?  I acted on what you said, on what you did.  I responded to what you said, what you said you were feeling, what you said you needed.  I did what I was supposed to do."

        Lisa:

"It wasn't real."

        Robert: 

"It wasn't real.  You said that.  It wasn't real.  How am I supposed to know what's real?"

        Lisa:

"You don't."

        Robert: 

"I just was just.  I wanted to do the right thing."

        Lisa:"

I know.  You have a right to be angry."

        Robert: 

"I'm not.  I'm trying not to be.  Me getting angry doesn't solve anything.  I'm not angry.  I'm not!"

        Lisa:

"There's nothing to solve.  I have to move on."

        Robert: 

"Move on?  Move on where?"

        Lisa:"

I have a job.  Friends.  A life.  I'll move on."

        Robert: 

"I'm not sure what I have.  I thought I was doing the right thing.  I thought I was helping."

        Lisa:

"You helped a lot."

        Robert: 

"At least that was real?"

        Lisa:

"I have to move on.  You have to move on.  I can't live a lie."

        Robert: 

"you... you lied to me."

        Lisa:

"I have to go."

        Robert: 

"I'm staying... I'm staying here for a while.  You.  All of it was lies?"

        Lisa:

"I have to go."

        Robert: 

"I'll go.  I'll go too.  I don't know when."




Saturday, January 14, 2023

Lonely Paintings

I can't mention the names of the people in these kinds of stories.  They deserve their privacy.  Besides, the point is not who they are but what they are and how they lived, at least in my stories.

She'd grown accustomed to living in the room beside her husband in the skilled nursing facility.  Both struggled with daily tasks in their ninetieth decade but wanted little more than to be together.  They'd visit each other's room, watch television, read what's left of our newspaper, and talk with the sitter.  After seventy-five years together, few words had to pass between them to communicate a lifetime of experience.

He died quietly while I was visiting my family.  When I got back in the building, I could tell something was wrong,  Days later, he was gone, but his room was the same.  The bed was made, and everything was in order, but he wasn't there.  With the lights out, you'd think he was napping.  

In his room, there were three or four large paintings and three or four more in his wife's room.  I knew something about him that nobody else in the building knew.  In his younger days, he was a member of the Jackson Watercolor Society, now the Mississippi Water Society.  I thought I recognized the paintings as his own, but they might also be by his master, John Gaddis.  I asked his nurse to quietly check the signatures for me.  They were his.

Watercolorists always seemed a bit of magic to me.  I knew several great ones, including Jackie Meena, who lived across the street.  I was allowed to take drawing from the daughter of Mildred and Carl Wolfe because they taught at Millsaps.  I was allowed to take oil from the daughter of Carter O'Ferrall, who was Grandaddy's best friend, and one of the kindest men I had ever met.  

Make no mistake about it, though; Art was for housewives and weirdos.  As much as I admired the work of Walter Anderson, it's no mystery which camp he fell into.  I was meant for greater things.  I had no other choice.  

"You could be anything you want, Buddy.  If only you'd settle down and study."
"I'm trying.  I promise."
"You could be a doctor if you wanted to.  You're really smart.  Wouldn't you want to do that?"
"I guess."
"How about you spend less time with those comic books and monster movies and try harder at math?"
"Ok, I'll try."

Oil paint, and acrylic, and pencil drawings, you could kind of control those.  They would do what you told them for the most part.  Watercolor was different.  You laid out an opportunity for it and did your best to guide the shapes on your page.  I would watch Mrs. Meena work a few times.  She'd move her brush across the paper like she was planting seeds that grew in the fibers of the expensive art paper she got downtown.  There was no way I could do that.  Not ever.  I stuck with oil and drawing for a while but gave them up because everybody knew life called me for other things.  At least, that's what I was told.

For me, landing in a skilled nursing facility was almost like I died and was born again.  All the shackles that held me down wore away, and I could remake myself according to what I really was.  A bulletin outside the community room said, "Water Color Class-Hope Carr."  I thought, "what's the worst that can happen?  If it's horrible, I don't really know the other people in the class, so it won't be too embarrassing."  Now, I'm making five or six new paintings a week.  I'm not good at watercolor yet, but I'm not afraid of it anymore, and my lifelong admiration of those who were good at it helps guide and inspire me.

I go by the room of my neighbor who lost her husband, pretending to be on an errand but really just checking on her.  After so many years together, being apart must feel like a great empty spot for her.  Her husband was in high school with my mother and father.  When I would see his father, he'd ask Daddy, "have you seen my boy?"  Daddy would say he had.  They were on boards together and had many common friends.  

I was kind of like his wife; he'd always been there--now he's gone.  Sometimes she'd go into his room and turn the light on to see if he was napping, then remember, after more than seventy years, he's not there anymore.  She'd pause and let the thought sink in, then turn the light off and go back to her room alone.  The unfairness of her moment strikes me like a cold wind.  You spend decades building a life with someone, then one day, there's a hole in your life where they used to be, and nothing will fill it.  

I suppose it won't be long before they pack up the things in his room and take them away, leaving her even more alone.  I hope his paintings go to someone special.  They weren't easily made, and there won't be any more of them.  I'm glad I got to be near him in the last days.  It's good to have somebody who knows what you were but still appreciates what you are now.  I don't know that I'll ever be as good a painter as he was.  I've had some great teachers but never much confidence.  I'm free now, though.  Anything can happen.  His paintings transcend him.  Art is like that.


 

Sunday, January 8, 2023

My Imperfect Arm

Circled here is a lump on my arm.  Evidence of a bone broken when I was just twelve years old.  It's a lump now because Jim Campbell and Mike Barkett thought they were doctors.

My brother Joe played football for Andy Mullins at St. Andrews.  My sister and I were in the lower school.  During one of Joe's games, I joined a pickup game of nerf touch in the area in front of the Upper School Library.  As sometimes happens in a game of touch, I was tackled and held out my arm to break my fall onto the worn, compacted spot of dirt where the older kids walked to class every day.  It hurt.  It hurt a lot.  I sought out my mother.

When I was little, Daddy's career caught fire.  It required him to miss many things in our childhood, most things, really,  but he never missed a football game.  Not one.  

"Let me see, buddy,"  Daddy said.  "Make a fist.  Try to squeeze my finger.  Try harder."  

"I AM trying.  It really hurts!"

Mike Barkett, baseball coach, and lower school administrator, saw the commotion and came over.  

"It looks like a sprain.  I know what to do."  With that, Mike fetched a bag of ice and an ace bandage.  After wrapping my wrist in the ace bandage, they then wrapped the ice bag onto it with another ace bandage.

"Keep that on there for a while, Buddy.  It'll feel better."  So I sat on the bleachers the rest of the game, trying not to cry, with an ice bag wrapped onto my hurting arm.

At home, mother refreshed the ice bag during supper and sent me to bed with the entire contraption wrapped to my now useless left arm.

In those days, St. Andrews hired a Greyhound bus to take us kids, to and from school.  Some kids still had their moms take them to school, but I was under orders not to be spoiled and ride the bus like a man.  Not a problem.  Normally I could draw on the bus all the way home, and my second favorite girl rode it too, dropping off just before I did.  Riding the bus with my left arm immobilized in the ace bandage, which had by then increased to three bandages meant that I had nothing to hold the sketchbook with, and every bump was causing considerable pain.  The girl I liked talked her mom into taking her home for a while.  The bus driver always did his best to look out for me.  "I'll avoid the bumps, pal.  You sit quiet."

After the second week of this, I was still complaining of pain in my arm.  Some kids thought it was funny to jostle me on the bus, causing even more pain.  "I'm calling J.O. in the morning." Mother said at supper.  J.O.  was James Oliver Manning.  One of dad's oldest friends.  They had both been number one at the Alpha Upsilon chapter of KA at Ole Miss.  There was a time when every third house on Honeysuckle lane had the name of a KA on the title.  Dr. Manning and Dr. Turner were Jackson's busiest orthopedists.  In the days to come, J.O. Manning would found Mississippi Sports Medicine, where I would also become a patient. His wife was a brilliant painter.  One of my favorites.

Once again, I was checked out of school by my mother, who sat in the waiting room in J.O.'s office near the stadium on Woodrow Wilson.  Mother was obsessed with paperback novels, all mysteries, and she would consume about one a week, fifty-two paperback mystery novels a year.  She kept them in paper grocery bags when finished to trade at a paperback book store near Parham Bridges' Park.  The person who taught me to read, read herself. A lot.

"Let's get you x-rayed," a pretty nurse said.  She maneuvered a gigantic machine, the kind that I'd seen turn tarantulas into monsters on Horrible Movie the weekend before, over my poor arm, naked of its ace bandages for the first time in twelve days.  "Hold still," she said as she moved behind a heavy screen.  "Why does she need to be behind a heavy screen when I'm here practically naked!" I thought.  This wasn't going to end well.

Once the ordeal with the X-Ray machine was over, the nurse returned me to the waiting room where my mother sat, one leg crossed over the other, reading her mystery novel, her basket purse with houses painted on it that she made herself with Jane Lewis and Onie Flood sitting beside her.  With some help from the nurse, I sank onto the examination table and sulked.  This won't go well, I thought.  

"How'd it go, buddy?"  "

"Fine."

 "Do you want a sucker?"

"No."

"Does it hurt?"

"no," I lied.

After a while, Dr. Manning came in.  He had a voice that sounded like he was speaking to you through an oak barrel.  He flicked on a light table and jabbed two x-ray sheets into the holding clip.  It was my arm.

"Tell Jim Campbell I'll make a deal with him.  I won't sell pencils if he won't practice medicine.  Your son has a broken arm."  

In the x-ray you could see pretty clearly where the break was.  It was also pretty clear that the bones didn't line up exactly right at the break.

"I want to put him in a cast.  It'll heal and be strong, but it might not be perfectly straight."

Forty-eight years later, it's still not perfectly straight.  

Momma and daddy and Dr. Manning would have many more opportunities to take care of me, but Daddy and Mike Barkett never tried to practice medicine on me again.  That's too bad.  It produced some great stories.

Chapter 1 An Escape Plan

I don't think it's betraying a confidence to admit that, for a while, the principal places for gambling in Mississippi were the Mayflower Cafe and the Jackson Country Club.  It was at the Country Club that I'd play my card.

Although very few of my friends did, all of my dad's friends knew that I was critically unhappy in my life in Jackson.  Of all Daddy's friends, I had an affinity for Rowan Taylor.  We shared an appreciation for art, women, and whiskey.  He asked me once, "what is it you want out of life, son?"  I had no answer for him.  

When I said what I said, my father looked at my mother and his mother, who had dubious expressions on their faces.  "Whatever you feel like you need to do, I'll support you, but come see me in the morning."  My father's office was at most a hundred steps from where I had set up camp in a corner of one of our five conference rooms, the one we opened mail in, with two computers, a scanner, and a printer.  "Come talk to me in the morning." meant that he was taking what I said seriously but that we should talk about it alone, lest it upset his mother, which it did.

There were men in Jackson who became concerned that Mississippi was developing a bad reputation around the country and around the world.  One of their responses to this was to dress modernly and adapt modern designs for their buildings and offices.  The result of this effort was buildings like First National Bank, Capitol Towers, and The Sun-n-Sand Motel.  Dumas Milner was a prime mover in this modernizing trend, and so was my father.  

For some people, the Capitol Street Gang was betraying our sound Southern Heritage.  The criticisms didn't change anything.  Mississippi was moving into the sixties if it gasfaced the navy.  When it came time to move the Country Club from West Jackson to North Jackson, many members wanted a Greek Revival style like an antebellum home, but Dad and Rowan and Dumas Milner and a few others pushed for what we now know as mid-century modern.  My Grandfather was one of the ones who preferred the Greek Revival style.  Ultimately the modernists won out, and although several remodelings have tried to hide the building's base design style is still very evident.  

Daddy didn't play golf or tennis.  For some people, membership in the Country Club was a sign you'd made it in the world; for Daddy, it was a sign to the rest of the world that we weren't quite the mindless savages we appeared to be on television.  At least not all the time.  The Country Club provided us a great place to swim, although I don't think my father ever actually witnessed this.  Usually, we were just dropped off by my mother and told to put these elastic bands around our ankles with numbered tags on them.  I suppose so they could identify the body if we drowned, which no one ever did.  At least not to my knowledge.

One service of the Country Club Daddy used was the Sunday Buffet.  Organizing outings to the Country Club for Sunday lunch was something of a statistical ordeal.  Starting from Galloway, we had to get my Grandparents, My father's family, his sister's family, and any visiting relatives to the Country Club and in line by twelve-thirty or we'd be standing in line for an hour before anyone ate.  For a ten-year-old, it was a challenge to keep my shirt tucked in and out of trouble until we got to the table.  For a twenty-four-year-old, it was more a matter of lasting in line, still suffering from the effects of the Saturday night before.  

For some time, Daddy and I had been discussing how unhappy I was in my life in my job.  I'm an extremely object-oriented person.  Like my father, my happiness depended almost entirely on my relationship with my work.  Unlike my father, I wasn't in anywhere near the right field for my talents and skills.  This conflict was leaving me very empty and unfulfilled.  I'd given up on my art in hopes that it might help me align myself with what my job actually required.  

Being competent but not good at my job was a problem.  I'd been through that with school, but that problem I could blame on my reading problems.  This was real life.  I needed to excel, and I wasn't.  

At that point, my job was to help organize twenty-seven other office supply companies into a buying cooperative and coordinate our core inventory system and develop a catalog and purchasing history program for what became known as the Office Supply Ordering System that we were members of, but decided to develop on our own.  My father began moving me into more of the marketing and advertising part of the company.  Although my performance was sporadic, the programs I was involved in were successful.  Although people thought I had potential and had some technical skills nobody else in the company had, it was becoming clear that I was very unhappy, and it was affecting my performance.  I wasn't going to be the success my father, and his uncle, and his father were.  For me, that wasn't good enough.  I needed a plan.

Knowing that I wasn't performing anywhere near my capacity made me feel like I was constantly disappointing everyone.  Knowing that the things I could do much better meant nothing to the people who depended on me made the situation much worse.  I felt like a fraud.  "Take the money and shut up.  Life should be this easy for everybody." Some would say.  I was constantly aware that I was wasting an opportunity many would kill for.  It didn't help to know this.  I felt like a spoiled asshole who should just go along to get along.  I also felt like if I died, it wouldn't be so bad.

At this point, I'd been involved in two relationships, both ended with the other party deciding they wanted to be with someone else.  The first was perfect, no harm, no foul; we went our separate ways with no hard feelings.  I wasn't so lucky with the second one.  She wasn't willing to let me go until I'd spent almost two years helping her dad out of a jam and making sure she had a chance at a college education.  At no point was she willing to make any sort of commitment to me, but should I ever waver in my commitment to her, I'd receive a lengthy and tearful phone call to reconsider.  One day she said, "sometimes you look at me like you hate me."  "I don't hate anyone,"  was my reply.  I think she knew I wanted to escape from everything, including her, but she wasn't ready to go it on her own.

I couldn't love my partner.  I couldn't love my job.  My art was in abeyance, and it'd been two years since I'd seen a movie that I really liked.  I needed to do something.  To change something.

I had a plan to escape.  I'd been thinking about it for a while.  The idea thrilled me, but it also filled me with doubts and regret.  Escaping meant leaving behind every person and every responsibility I had in Mississippi.  Maybe it'd work out, maybe it wouldn't, but I would be far away and separated from everyone either way.  There was no guarantee this would work, but I thought I had to try something.  Telling my family would be difficult.  Lunch, Sunday a the Country Club was the soonest time they'd all be together.

"I've sent in applications to USC and UCLA for their film program.  I'd like to join their undergraduate program, then move on to the MFA program at either school."  I said after the plates were removed and Bubba's Sanka coffee was served.

Silence.

My father looked at my mother, then his mother.  There was a hurt look on her face.  "That's California," she said.  "Yes, Los Angeles,"  I said.  That I might try and escape this life they'd laid out for me since my mother announced she was having another child had never crossed anyone's mind.  What I was talking about was a betrayal.

"Come talk to me in the morning" was my father's escape plan from discussing my escape plan.  



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